10 Music Artists You Must Know In 2024
The next wave of UK artists that are ready to take over your streaming playlists have arrived.
We have put together a list of 10 fresh & exciting music artists who are ready to shake up the UK music industry. From Leeds-based Rap/R&B Artist Ntantu to Bimingham’s very own A.S Kullar, these artists are about to have an exciting year, and this is your chance to hear them first.
Ntantu
3K Monthly Listeners
Over the past five years, rapper and producer Ntantu has been quietly developing a signature sound of Afro Pop, Rap, RnB and Dancehall, showcasing a fusion of styles and influences. This is reflected in his songwriting and production.
No Guidnce
500K Monthly Listeners
No Guidnce: the TikTok sensations determined to reshape the narrative of the Nineties boyband. After making it big on TikTok, these Londoners have their sights set on becoming this gen's Boyz II Men.
Geovarn
50K Monthly Listeners
Geovarn rose to prominence with his debut single ‘4am’. Since then the Singer, Rapper and Producer has delivered consistent sounds on beautiful crisp beats. Added with Stunning vocals on smooth RnB/hip hop beats, exceptional flows and well placed harmonies. Geovarn has impressed many industry favourites. The vivid RnB Rough Vocalist hails from North London.
Skeete
600K Monthly Listeners
A Captivating Fusion of R&B, Neo Soul, Dancehall, and Afrobeats. Hailing from the vibrant city of Nottingham, Skeete has masterfully crafted a musical style that effortlessly combines the soulful melodies of R&B and Neo Soul with the infectious rhythms of Dancehall and Afrobeats. With a global following that transcends borders and a sound that resonates with both introspective ballads and uplifting anthems, Skeete has firmly established himself as an artist of immense talent and versatility.
Mafro
124K Monthly Listeners
MAFRO makes emotional electronic music that swings between melancholy and club euphoria. Growing up in North London with a Trinidadian mother and an Irish father, MAFRO’s home was filled with a blend of steel pan-infused Soca beats and traditional Irish melodies, as well as the UK Garage and RnB that his older sister would play on repeat. This diverse range of influences has profoundly inspired his music-making.
Surya Sen
159K Monthly Listeners
Surya Sen is a British-Bengali electronic producer and rapper from North London. His passion for the New York boom bap scene led him into a love affair with the sampling culture of the 90s and the desire to emulate artists such as Large Professor, J Dilla and Pete Rock. As his interest in different genres developed, he branched out to dance based music and eventually fell on the Detroit House and Chicago dance movements.
ALANA MARIA
21K Monthly Listeners
Introducing Alana Maria, the 22 year old music sensation from West London, embodying self expression whilst tugging on the heart strings of both old and new school R&B enthusiasts, sharing her raw talent with the world. Alana’s authentic sound uses R&B and Afro-Caribbean concepts, showing the beauty of culture in a new light - ranging from heartbreak and love songs to catchy tunes and dance masterpieces.
a.s. kullar
5K Monthly Listeners
A.S. Kullar is an up-and-comer out of Handsworth bending genres with soulful, sample-based, hip-hop rooted beats. He independently released the raw yet impressive Rules of Engagement EP in collaboration with another West Midlands artist, Beant Dhillon. Demonstrating his versatility, Kullar has secured a hugely impressive coup with his new track Chemical Reaction featuring New York giant Benny the Butcher, releasing this Friday. His obvious talent provides a refreshing contrast to the cookie-cutter offerings too often seen in Punjabi music right now.
Samira
129K Monthly Listeners
In early 2022, Samira decided to throw herself head-first into building a pop career, quickly landing on the radar of some of the music industry’s most respected songwriters and producers.
Clementine Douglas
5M Monthly Listeners
Songwriter, vocalist & producer Clementine Douglas is a go-to writer-singer for the global Dance world, signalled by winning Radio 1's Dance Awards Vocalist of the Year 2022.
Sonic Southall: Diving into the Burgeoning British Asian Communities Represented at Boiler Room
Stepping into a South Asian wedding venue injects a shot of adrenaline straight into the senses: the wild tapestry of colour sewn into the fabrics and decor, pulsing bass reverberating from speakers and dhols, vivid aromas enveloping the building as hot trays of food are hurriedly whisked around a chanting gaggle of pissed up uncles sporting sheekh kebab- stained shirts and dance moves that were on their last legs in the mid- 80s. In August 2023, Boiler Room Southall managed to bottle up this distinct essence and repackage it into a fresh, boundary pushing event embodying the diversity of talent emerging from the diaspora, aptly set in a ‘Little Punjab’ based wedding venue.
The event featured ensnaring sets from original Daytimer icon DJ Ritu MBE, Manara, Manj and Yung Singh and Raf Saperra, who were supported by traditional folk instrumentalists. Panjabi Hit Squad stood out for me, seamlessly blending eras and genres in a set that was both nostalgic and forward-thinking. The night transcended musical spectacle for me; witnessing and connecting with an array of modern British Asian creative talent was rousing . Previously I had only seen elements of this burgeoning community from afar on social media. In person and close-up, I saw why this scene is poised to produce seismic shifts in the industry … if nurtured correctly. Such communities serve a dual role: as prodigious purveyors of art and as safe spaces where cultural preservation and expression converge. It’s the latter that forms the crux of this piece.
Artists are contributing to the broader cultural landscape
Rapper Beant was one of the faces I connected with at Boiler Room. I was excited about him prior to the event, writing about his partnership with West Midlands producer AS Kullar in my last piece. Since the event, Beant has soared to new heights: releasing his single Gallows, becoming BBC Asian Network Introducing Artist of the Week and performing at a Jawani4eva event. For Beant, as a Punjabi, writing is in his blood and the exploration of his background and perspective on life as a Brown Geeza in England mark key themes throughout his music. I found his ambition refreshing: he doesn’t want to be pigeonholed as just an Asian artist, he raps in English, sees his competition as the likes of Knucks and Loyle Carner and aims to headline his own shows.
Beant is rightfully known for his music first and foremost, but that’s not how I discovered him. Beant, like many other artists, has turned to content creation as a means of getting his name out there. However, Beant’s content is appreciative and educational, as opposed to the swathes of dross tossed into the attention hacking, happiness vacuuming TikTok algorithm.
Whilst I was at Uni the topic of supposedly stolen jewels and potential reparations came up during a discussion amongst friends, one of whom rubbished such a suggestion and claimed that the Koh-i-noor diamond was benevolently gifted to the British from the Indians. Intuitively this claim felt dissonant. It constituted one of several times in my life that I’ve kicked myself and wished I’d known more about my heritage and language in order to speak up. This instance stuck with me and I madly researched the time period online. During the frenzy, one of Beant’s TikToks came up on my for you page (they really are listening). It was an insight into the remarkable life of the last Maharaja of the Sikh Empire, Duleep Singh. It was Singh who gifted the Koh-i-noor diamond to the British. A gift is usually taken to refer to a voluntary transfer of an item from one to another. However, I learnt there was nothing voluntary about this transfer. Duleep was 10 years old at this time, he was forced to sign over the diamond as well as his kingdom as part of the Treaty of Lahore, while his mother was imprisoned in a tower cell.
The episode underscored a vital lesson for me about the significance of preserving cultural heritage and the pivotal role of artists, utilising their platforms for collective good. This becomes crucially relevant as generations evolve, particularly as 2nd-generation immigrants segue into the 3rd and beyond, navigating the complexities of cultural identity and assimilation. Modern day street philosopher and People Just Do Nothing’s Chabuddy G highlighted this social pattern through his willingness to fit in and “make some beige little fuckers and live the UKIP nightmare”. While descendants of immigrants may naturally drift from their cultural roots, artists and communities uniquely unite and enlighten through creative expressions, bridging heritage and sparking dialogues about diasporic identity and belonging.
Where do we go from here?
Boiler Room Southall illuminated a thriving modern community swaying on the precipice of indelible growth, but like all healthy movements a crossroad is faced. On one side the heat dies down and it dissipates into a transient fad. Alternatively large-scale incumbent institutions such as Boiler Room offer guidance and supportive infrastructure in order to fan the flames of the movement and support its continued progress.
Gleaning insights from global narratives, particularly the wave of Punjabi artists in Canada—recently acclaimed on the inaugural cover of Billboard Canada—provides a persuasive testament to what’s achievable. From a commercial perspective, investment in talent at home opens up broader opportunities to tap into the South Asian market. The likes of AP Dhillon and Karan Aujla prove this. Collective investment in these communities also provides homes for the diverse array of characters within the diaspora and platforms for future talents to thrive.
Photography by Yushy
Written by Rohan Ram
6 Music Artists You Must Know In 2023
From South London's Raf Saperra to Birmingham's Bobblehead Huncho, we are excited to introduce to you artists that we believe will thrive this year.
We have selected 6 artists with so much potential that we believe they are the 'Ones To Watch' for 2023.
From South London's Raf Saperra to Birmingham's Bobblehead Huncho, we are excited to introduce to you artists that we believe will thrive this year.
Morgan
Munroe
Current monthly listeners: 41,219
First up we have none other than East Midlands rising R&B star Morgan Munroe. R&B Songstress Morgan Munroe is inspired by the likes of Frank Ocean, James Blake, Solange and Jazmine Sullivan; and is ready to cement her place within the thriving UK R&B landscape and beyond.
Morgan went on her first UK-Wide tour this year, performing in five different cities and creating brand new fans across the UK. We think she will be the next female to blow up in UK R&B. With songs such as ‘Mutual’ and ‘Space’, she explores themes of heartbreak, love and betrayal, topics that relate to many women across the world.
Raf
Saperra
Current monthly listeners: 116,600
South London born Raf Saperra is a big one to watch out for this year. He is bringing about a new sound for UK South Asian artists, and whilst he is sticking to his traditional Punjabi roots, he seamlessly blends it with old school Hip Hop and Garage sounds.
With his song N.L.S being named number 22 in i-D Magazine’s top 100 songs of the year, alongside the likes of Kendrick Lamar and Drake, we see him becoming a global hit and a force for Punjabi music. Our personal favourite however has to be none other than his latest single ‘Modern Mirza’. Raf Saperra is definitely a name to remember in 2023.
ShaSimone
Current monthly listeners: 22,729
Also hailing from London we have ShaSimone. British-Ghanaian rapper and songwriter, ShaSimone is recognisable by her versatile coffee-soaked vocals and skillful wordplay.
She has collaborated with the likes of Dave and James Blake, and has been championed by many UK rap legends. She started off by posting freestyles online, and being known for her impeccable flow and lyrics so you know her pen game is unmatched.
BobbleHead Huncho
Current monthly listeners: 89 listeners
Representing Birmingham with his Jamaican roots we have Bobble Head Huncho. Bobble effortlessly fuses dancehall vibes, culture and language into his music with ease & authenticity.
With an incredible work rate and a unique voice, Bobble has a penchant to craft catchy melodies with thought-provoking, insightful, street-themed raps full of energy. Bobble Head Huncho is one of the most exciting artists to emerge from the UK in a very long time.
Infamousizak
Current monthly listeners: 32,625
In 2022 Infamousizak and Frisco released the ‘Bad and Clean Remix’ which featured some legends, including Skepta and Skillibeng. The London born rapper produces, writes and sings all of his own material. Taking inspiration from the traditional sounds of Grime and UK Rap, he also brings in Hip-hop influences, and has created his own sound within an ever-evolving industry.
In 2023 people around the UK will definitely know who Infamousizak is, and he will carve his own lane in the music scene.
SOLAH
Current monthly listeners: 151,827
Solah has begun making a name for herself, with her colossal voice & sounds thriving within the drum and bass scene. She became the first female vocalist to sign to Hospital Records, and we know that this is just the beginning for her.
Her signature jazz-tinged soul style has been used across a wide range of bass styles, a few with collaborators, such as GLXY and Pola & Bryson. Solah is about to be at the forefront of drum and bass, so next time you’re in the club, expect to hear a Solah track.
Punch's 2022 Rewind: Highlights of the year
Now that 2022 is beginning to draw to a close (and following last week’s article “A Celebration of 2022: Punch’s Rewind of the Year Starts Now”), we’re taking this time as an opportunity to reflect on the projects that have taken place over this past year.
There is so much to celebrate, so this was by no means an easy task, but we have individually highlighted projects that have filled us with pride throughout 2022.
Nikki Riggon, Head of Programme
“We’ve been a driver for positive change and a catalyst for hard discussion surrounding race through our involvement in Birmingham Race Impact Group (BRIG)”
There's so much for us to be proud of this year, our programme has been so broad. We’ve been able to launch art commissions that have been in the making since 2020 through Gallery37, including Wander Water which can now be seen on display at The Roundhouse.
We’ve been a driver for positive change and a catalyst for hard discussion surrounding race through our involvement in Birmingham Race Impact Group (BRIG). We’ve all had the opportunity to step outside our comfort zones *flashback to me hosting Write The Future for Meta and WMMB* and we’ve grown much closer as a team *insert terrible photo of team hungover at away day*. We were on the road for the first time post-COVID with the Morgan Munroe, Elvira tour and we have worked with many exciting new artists.
Reflecting on 2022 I’m really proud of the team but I'm SO excited for 2023!
Sannah Sajid, Digital Marketing Assistant
“I loved being a part of the Elvira Tour as it gave me an insight into the world of touring, how the industry works and what life on the road is really like.”
Live music and touring has always been something that I’ve loved and wanted to be a part of, so when we announced that we were going to be taking Morgan Munroe on a UK-Wide tour, I couldn’t wait to get on the road.
We took R&B artist Morgan Munroe on her first tour following the release of her EP ‘Elvira’, and it was everything I expected it to be and more. The first stop was in Glasgow and ended in Leicester, which is Morgan’s hometown.
I loved being a part of this tour as it gave me an insight into the world of touring, how the industry works and what life on the road is really like.
Brad Morrison, Head of Marketing & Communications
“I had the privilege of producing my first immersive visual art exhibition Reworlding, which explored wellbeing, environmentalism and utopia.”
During the 2020 pandemic when exhibitions & galleries had to pause, I turned to the streets of Digbeth, and the walls that I used to pass aimlessly became an exciting adventure of visual art; every day I would discover new art pieces. I began to find a love for street art & new ways of showcasing exhibitions.
Two years later, I had the privilege of producing my first immersive visual art exhibition Reworlding, one of Gallery37’s 2022 commissions, which explored wellbeing, environmentalism, and utopia.
After months of planning & preparation, Centrala became home for a week, artists Hayley Salter & Jacob Carter became an unshakeable team, and together we crafted a beautiful multi-sensory space brimming with purposeful art including; an atmospheric soundscape recorded in green spaces around Birmingham, hanging portraits showcasing the city’s local heroes & their connection to nature and recycled carpet that was displayed to reflect the terrazzo-style sculptures which filled the walls of the exhibition. The responses from attendee’s were overwhelmingly positive - it was when I was told that the exhibition helped with an individual’s wellbeing & mental health that I filled up with emotion & pride.
Fahmida Choudhury, Insight Producer
“It has been great to have the opportunity to contribute to the Birmingham 2022 Commonwealth Games evaluation.”
Coming up to almost a full year at Punch Records, it has been great to have the opportunity to contribute to the Birmingham 2022 Commonwealth Games evaluation.
This experience not only enabled me to partake in a globally recognised event, but over the course of the Festival I learned so much about Birmingham’s creative and cultural sector from the very practitioners themselves. I was fortunate to be under the supervision of Simon Redgrave and Amanda Roberts guiding me through the processes involved in carrying out the evaluation research and will take the skills I’ve developed and apply them to our next research project.
CAS, Creative Producer
“I was touched by the number of attendees and feedback received, as I believe it’s important to produce various events that reflect us individually and society.”
Being a Christian has always been, and continues to be an important aspect of my life. It was an honour to be given the opportunity to produce the A Love Letter To The Gospel: Past, Present & Future event.
A Love Letter To The Gospel: Past, Present & Future is a feature-length documentary, directed by Storyteller and Musician, Rhea Marcia. The documentary explores the Gospel music journey and premiered at Holy Trinity Parish Church, Birchfield on 1st October 2022, with a live performance from Rhea and a full band, Q&A panel with Gospel artists, and community pillar Reverend Eve Pitts as the host.
I was touched by the number of attendees and feedback received, as I believe it’s important to produce various events that reflect us individually and society.
Another highlight for me was being Tour Manager for Morgan Munroe. Both were a great way to represent Black History Month 2022!
Jay L’Booth, Creative Producer
“The use of a white cove really gave the visuals an immersive feel and allowed the artists to move around in their own worlds.”
This year at Punch, my highlight has to be Multiverse. The fact that this was so unique and had never been done before excited me. It was a challenge I wanted to experience and I feel it came together beautifully. Immersive experiences are the new wave of technology and i’m glad we got to implement that with Multiverse.
I feel the lineup of artists we had really represented the up and coming scene in Birmingham right now. With ones to watch like Indigo Marshall and Creezon but there was also an insight into collectives such as >THEM. Each artist had their own scene created by Multidisciplinary artist DEMARAE and the scenes complemented the music magically. The use of a white cove really gave the visuals an immersive feel and allowed the artists to move around in their own worlds.
What’s more, is the interactive aspect of this event, and how the audience could use a PS5 controller to explore the digital worlds further. Not forgetting the live art element of the space, where incredible digital paintings were created by Dayle Demaret-Smith and Rere Demarae.
I think we should continue to run events such as Multiverse - working with different artists each time. I also think it’s important for us to continue this immersive element within our future shows and projects.
kimberleigh logan, Creative Producer
“I’ll keep it real, my first-ever cypher went crazy! BAR4BAR.. Are you mad? There’s no better feeling than putting together an event that everyone is literally screaming for. The sounds, the bars, the crowd- immaculate. The music scene in Birmingham is so underrated and to be in the midst of some of the best talent coming through our streets right now was wild.”
Whatever it is, the way you tell your story online can make all the difference.
When we were approached for the second time by Birmingham Hippodrome to produce the launch of B-SIDE Hip Hop Festival, I knew I had to step up and put on something that was going to represent what’s really going on in Birmingham right now and open up the celebrations properly! I teamed up with Reuben (Fyah Kamp), and DJ Biggoss to help stitch together one of the littest lineups ever!
From the open mic to the producer showcase, every artist involved lit up the stage in Suki10C like it was their biggest show. Wheel ups after wheel ups; the bars had our heads spinning! People were just pulling up to drop a few bars, packing out the place with good vibes - nobody wanted it to end. It was what we needed, and everyone who came will agree.
I think for me, seeing that type of response was the moment I knew we smashed it. It’s important to provide spaces for artists to share their art with each other to create a more connected music industry because it’s clear that we have a very competitive nature, and whilst that’s somewhat necessary for this industry, we should stand on each other’s shoulders to grow and expand bigger than what we know our city to be. My only hope is that we continue to do so!
Big shouts to the artists, producers, and music enthusiasts for coming through; not to mention Suki10C, Birmingham Hippodrome, Biggoss, and Reuben for making BAR4BAR my highlight of the year!
Watch our Rewind video of the year on Youtube
A Celebration of 2022: Punch’s Rewind of the Year Starts Now
Punch turned 20 this year, and we’ve been celebrating all-year round with one of our most exciting line-ups of events, masterclasses, and projects to date.
We started the year with the launch of LEGACY, a documentary that explored the stories of Hip-Hop, Rap & Grime artists who have been responsible for creating a historic music scene. The documentary featured pioneers of the game, from Lady Leshurr all the way to Devilman. This feature-length documentary championed grime artists big & small from Birmingham, and explored the stories behind their craft.
Lady Leshurr featured in LEGACY documentary (2022)
We hosted two back-to-back sold-out film screenings at Everyman Cinema for the exclusive first look at LEGACY, which was met with rapturous applause, and national interest in expanding on the documentary.
Further into the year, we commissioned GALLERY37 alumni to create new artistic work, which took over Central & North Birmingham.
Gallery37 Commissioned Artists with Head of Programme, Nikki Riggon (2022)
The programme started with multi-sensory immersive exhibition Reworlding which explored environmentalism & wellbeing; and continued with projects including Gospel documentary A Love Letter to the Gospel: Past, Present & Future, interactive visual & live music event Multiverse, debut EP & music video project TALES, female-centric short film DOSED & illustration campaign celebrating local heroes of North Birmingham On The Map.
No one event has been like another this year.
Following a series of successful music events throughout the year, we embarked on our first tour of 2022 in October. The Elvira Tour, headlined by R&B artist Morgan Munroe supported the release of her latest EP.
Morgan Munroe on the Elvira Tour (2022)
A special project has been filmed with Morgan Munroe which will be released in 2023, showcasing the rise of the future R&B star.
But before we get to 2023, we are giving you the full Punch Rewind of 2022.
Connect with us on Instagram, Twitter, Newsletter, Youtube, LinkedIn & TikTok to see the full Rewind featuring videos, quizzes, TikToks, exclusive news and more.
Overcoming the Instagram Algorithm: Claiming your Creative Space in the Online Metaverse
The social media revolution has completely transformed the music industry, creating a new environment defined by accessibility and speed - artists are only ever one post away from fame. So why do we often feel so out of control of our own content and careers?
Faced by alien algorithms and tough competition, our posts can easily get lost in endless Instagram and Facebook feeds. How do we create unique and wide-reaching content that captures attention, whilst remaining authentic?
Write The Future, hosted by PUNCH in collaboration with the WEST MIDLANDS MUSIC BOARD and META, equipped both aspiring and established artists with tools to navigate online spaces, including R&B stalwart PHELEBA, who ended the conference with a live performance. So what did we learn?
Here are our top three takeaways to overcome the algorithm:
1. Create Your Authentic Space
‘People buy from people. Know your essence’. Vanessa Bakewell, Meta
With everyone’s feeds flooded with infinite filtered versions of “reality”, can we risk posting content that truthfully represents our real and flawed selves? VANESSA BAKEWELL from Meta dismantled misconceptions that artists have to project a perfect image, instead emphasising the importance of establishing an individual and genuine brand - in sharing the highs and lows of their creative journeys, artists become personal and more accessible.
MALIK - musician and co-producer LEGACY - spoke on the importance of creating and controlling our own narratives. On making LEGACY, the history of Birmingham’s vibrant grime and hip-hop scene, Malik said:
‘It was our way of telling the story of Birmingham MC culture, keeping it fair and authentic’. - Malik
Malik also spoke on the role of social media as the record of your personal journey as an artist, providing a point of reference for others when social inequalities mean that minority communities’ narratives are unfairly represented in the media.
“We can use social media to create something greater than individual fame and success, but a communal record of Birmingham’s vibrant music scene.” -Ammo Talwar Punch CEO
2. The Power of Experimentation
“Use social media, utilise it & create short-form video.” Sade Omojowo, Meta
From Birmingham, SADE OMOJOWO recently helped Meta launch the Black Perspective’s Initiative, striving to support the next generation of creators from underprivileged backgrounds. Sade's main piece of advice was to keep varying and experimenting with content as well as directly communicating with your followers to learn what they want to see. This can be done using tools such as question stickers and polls. You can monitor engagement by utilising your account analytics. All of the expert speakers agreed that the most impactful form of content was short videos like Instagram reels.
“Use social media, utilise it & create short-form video.” Sade Omojowo, Meta
To create a ‘thumb-stopping’ video, it's important to establish your brand - your name, face and main content - in the first 3 seconds of the video. Although Sade encouraged creators to be consistent with posting, she stressed the idea of quality over quantity. Above everything else, all expert speakers encouraged artists to remain authentic and accessible to their followers.
“Everyone can hope to go viral if you hop on a trend but you need to give someone a reason to follow you. Be authentically you”. - Natalie Kelly, Meta
3. Brum Left Behind?
During the Q&A sessions, many audience members shared frustrations about the lack of permanent Birmingham based infrastructure and the ‘recycled conversations’ that prevent meaningful change. Even the expert speakers acknowledged that ‘talent can only go so far’ and without any Birmingham based media outlets, artists will struggle to sustain any attention that they get online. The most common solution voiced was to strive for better communication and collaboration between Birmingham creatives.
“Collaborate - Collaboration is huge. If people see that you’ve collaborated, your reach will snowball.” Sade, Meta
“The thing that Birmingham could do better is communication. Artists can only do so much, they need to connect with companies like Meta, Spotify, Punch Records etc – and likewise, companies should be connecting with the artists”. - Malik
Write The Future felt like a positive step toward progressive collaboration, bringing like-minded people together, providing networking opportunities and demonstrating that influential companies like Meta are finally taking a meaningful interest in local talent here in Birmingham.
Speakers announced for The P Word Conference 2021, including Main Speaker, Jamelia
“Perseverance in Perspective: The P Word Conference” will be led by a Midlands based line-up of creative entrepreneurs who have led the way for their creative communities over the last year.
Creative entrepreneurs and artists have had to work harder than ever over the last year and into 2021 to adapt and survive during this pandemic period. On Thursday 25th February we are shining a spotlight on Midlands-based creative artists & entrepreneurs who have led the way for their respective creative communities.
“Perseverance in Perspective: The P Word Conference” will be led by guest speakers, creative entrepreneurs that we’ve supported over the last year with The P Word, and partners Punch & CREME. They will all be delivering honest conversations and thoughts about their enterprises/companies, the creative industries, advice for start-ups, the effect of the pandemic, and much more.
Meet our Guest Speakers and host below, and register for your tickets here.
Jamelia
As a singer-songwriter Jamelia has sold millions of albums and scored number one’s all over the world. Jamelia has won multiple awards including four MOBOs, a Q Award and an Ivor Novello.
In broadcasting, Jamelia has appeared on programmes on every major UK TV channel as a host, panellist, presenter and guest. Jamelia’s modelling career has seen her grace the covers of Cosmopolitan, Elle and Time Out. She’s also fronted campaigns for Reebok, Pretty Polly and Toni & Guy.
Jamelia loves to act, and has had roles in both movies & tv shows. As well as her chat show, The Table, Jamelia is currently working on album number four and a number of books.
CJ Lloyd Webley
CJ Lloyd Webley is a Writer and Theatre-maker from Birmingham. He majored in Theatre and Performance Studies at The University of Warwick, and recently completed a Master of Arts in Creative Writing (Screenwriting & Playwriting) at City University of London. His play, Shadows, received 4 & 5 star reviews and sold out its three-night run at Theatro Technis, Kings Cross in 2017. Since then, he has had new work performed at The Birmingham Rep, Soho Theatre and the Brockley Jack Studio Theatre.
CJ was part of the 2019-20 Tamasha Playwrights cohort in London where he was shortlisted for the Adopt a playwright Award and has since been selected for Criterion Theatre’s New Writing Programme in Piccadilly. CJ is one of the newly appointed Lead Artists for Lightpost Theatre Company at the Birmingham Rep, a scheme that seeks to improve the mental well-being of young black men.
CJ is also the Founder of The Black Pounds Project CIC and facilitates Creative Writing workshops as part of his organisation Sorrel Park Theatrical, and online sessions with Beatfreeks. He has since completed Regional Theatre’s Young Director Scheme and. the Common Purpose leadership programme.
Fusion
The self-professed ‘Creative Storyteller’ has presented shows for MTV and Sky, hosted events at Wembley Arena, interviewed the likes of Beyoncé, Dr Dre and Marvel-mastermind Stan Lee, and shared his story on the TED stage.
An experienced educator and creative producer, he is now a lead facilitator for YouTube, empowering thousands of young people to become better Internet Citizens, and helps award-winning CEOs discover their own stories of transformation.
The driving force behind creative currency initiative #IITSPIRATION and founder of BMT – an immersive live experience celebrating the ‘awesome everyday’ stories of black men - Alain takes on all challenges with irrepressible energy, curiosity and a desire to get to the heart of the matter.
Alexandria Chantiluke
Birmingham born fashion designer Alexandria Chantiluke was selected as a 2015 finalist in the Savile Row Training Academy: National Design and Tailoring Awards. She won the annual Hawes and Curtis shirt design competition and graduated in July 2016 with a BA Honours in Fashion Design from Nottingham Trent University.
In 2017 Alexandria was named Radical Designer of the Year at an international design competition and in 2018 she was named one of Birmingham's top 30 under 30 for her work in fashion and the Birmingham community. In 2019 she delivered a motivational speech on the TEDxYouth stage and was also named one of the Future Faces of Birmingham on Gallery 37’s BASS2019 mural at Suki10c.
Alexandria has worked in the fashion industry with bespoke tailors Timothy Everest and Richard James on Savile Row in London, but fashion design is just one part of her brand. She also writes and performs poetry and is an activist for mental health awareness, speaking openly about her own experiences with Generalised Anxiety Disorder. She is committed to supporting young people and volunteers her spare time to delivering school presentations and workshops.
Jay Williams
Hoodrich is more than just a clothing brand – it’s a lifestyle. The slogan “from nothing to something” is fully encompassed by Birmingham born founder Jay Williams’ own experiences. Hoodrich embodies the come up.
Jay’s passion for underground streetwear, musical influences and interest in clothing led him to start his own brand from his bedroom. In 2014 with a £200 start up, the first 30 tees were made. Hoodrich has grown from a one man venture to a national operation.
Hoodrich is in Footasylum and JD stores across the UK and the brand has been worn by UK and US rappers and influencers.
Hoodrich founder Jay aspires for the brand to be a global household name and is just getting started.
The Last 12 Months
Ammo Talwar - Chairman of the UK Music Diversity Taskforce unpacks diversity in the music industry and the last 12 months.
Ammo Talwar - Chairman of the UK Music Diversity Taskforce unpacks diversity in the music industry and the last 12 months
Ammo Talwar, UK Music's Diversity Taskforce Chair & Punch Records CEO
Wow - what an incredible year it’s been. I vividly remember my first time going up to bat for UK Music's Diversity Taskforce, as their new Chair, feeling intimidated and overwhelmed in the Universal Music Group’s boardroom. The mighty UMG - home to Island Records, Polydor, Virgin - had agreed to host our inaugural session right where the Big Deals were done; the Rolling Stones, Sam Smith and Stefflon Don probably all inked deals or demo-ed LPs right here. We’re in the same space discussing diversity in the music industry, with all the trade bodies and all the major labels around the table. I was nervous, even with vice chair and veteran of the music world Paulette Long to back me up and keep me in check. But we didn’t know that when we left the room, the world was about to turn upside down.
This is March 2020. Parts of the UK are celebrating our exit from the EU with post-Brexit parties and a sense of euphoric win. Something else that's in the air is Covid 19, but despite footage of super hospitals being built in China, it’s not yet being taken seriously here. Just a few months later; George Floyd is brutally killed beamed directly onto our phones.
The outcry over the murder of George Floyd once again highlighed injustices in the law, amplifying the voices of the Black Lives Matter movement. Theirs would soon become the strongest voice for global justice, equality and equity. It resonated with our UK youth like never before; modern, contemporary, organised and effective at all levels. Statues got dismantled, hashtags became “must”-focussed - #rhodesmustfall and #TheShowMustBePaused backed by the Black Music Coalition in the UK and black music executives globally. Furlough was introduced and the music industry began its journey into the abyss.
Edward Colston statue falling
Globally, the major labels moved quickly. New investment came in to support black talent, The term “urban” finally got thrown out and “white privilege”, “systemic racism” and “unconscious bias” were the new words in the music ecosystem. Letters were written to key UK music industry players, which had raked in profits from black artists and black culture for decades but had always overlooked the structural and systematic racism. “Enjoying the rhythm and ignoring the blues” said RADIO 1 DJ Clara Amfo.
There were difficult debates, decisions and discussions for all of us. From the CEOs of major record labels to promoters and artists not from minority communities; questions of privilege (perhaps “white”, perhaps “gender”, perhaps “place”) were being asked. How much of their success in the music industry was down to privilege, family networks, not undiluted raw talent? More importantly, how do we create better opportunities and better representation for the rest of us? Modern day, diverse citizens should be everywhere across the music industry, not just as performers, not just as interns, but at executive and CEO level, smashing the glass ceilings of back rooms and boardrooms.
Black artists have always raised their voices for while others have stayed silent; Howlin Wolf spoke about the Mississippi Blues, Jazz and Be Bop defied Jim Crow’s America. James Brown post-Watts Uprising shouted “Say It Loud, I’m Black and I’m Proud”, Hip Hop hit back at Reaganomics. In the UK Steel Pulse was talking about Handsworth Revolution, Bashy heralded serious emotions about Black Boys. Stormzy raps on Grenfell and Dave just echoes what James Brown knew all those years ago; Black is Beautiful.
Public Enemy on the fight the power video shoot
Now was the time for the music industry to stand up and back a radical, sustainable plan to repair the diversity deficit and back our black artists, black workforce and a modern diverse music ecosystem. At UK Music, the Taskforce was already nine months deep into our flagship workforce survey. Now this could go out against the backdrop of #theshowmustbepaused and #blackouttuesday; receiving unprecedented support from all the trade bodies - BPI, MU, PPL, AIM, MMF, FAC, IVORS, MPG, MPA and PRS. The uptake surpassed the 2018 survey by over 33%.
This was and is the only survey to look this deeply into representation in the UK music workforce, auditing levels of diversity, social mobility, the protected characteristics, retention and access at all levels, right across the music business. This included studios, management agencies, music publishers, major and independent record labels, music licensing companies, the live music sector: the total UK music ecosystem.
UK Music Diversity Taskforce
But what can be done with just data? To really put evidence to work, codesign across the music industry is required to deliver an action plan that is respectfully collaborative, holds senior executives to account and changes the culture with visible metrics and targets. It’s not just “more brown faces in the board rooms”; it’s more diversity of thought and practice, with sustainable ways to move progress forward with pace.
If diversity without action is just a dream, action without evidence is a nightmare. Our TEN POINT PLAN is drawn from the 2020 survey, based on new metrics, fresh evidence and lived experience of diversity in the music industry today, here in the UK. It is the accumulation of months of work across the total industry ecosystem - we consulted, we watched, we listened, we gathered data and now there is a strategic plan that has been co-signed by every single major music trade body. And some of it is really simple, common sense stuff, ensuring ordinary people in the music industry are allowed to execute extraordinary work.
As the chair of UK MUSIC’s Diversity Taskforce, I know we are responsible to make change happen, and we must be held accountable to ensure actions are sanctioned, strategy is developed and systems change. The TEN POINT PLAN closely aligns with the demands of Black Music Coalition, Women in Ctrl, PRS Foundation and all the other campaigning music companies to ensure justice and equality with a sharp focus on race and gender.
The TEN POINT PLAN has some really simple stuff that some would say is just common sense. Advertise to a broader audience base for new recruitment, listen to diverse staff members, update and implement stronger diversity targets. There are also deep, long-term drivers around the Gender and Race pay gaps, around governance and ultimately putting new voices into key decision making rooms. Some say follow the money, we say: dialogue with diverse voices - with people who don’t look like you, talk like you and hang out in places like you.
UK Music Diversity Report - https://www.ukmusic.org/equality-diversity/uk-music-diversity-taskforce-workforce-diversity-survey/2020-report/
We want to bring people with us, because we know diversity is stronger, better, smarter and more sustainable when “done with”, rather than “done to”. But at the same time there are some drivers, some values that are absolutely no compromise. THE TEN POINT PLAN demands sharp actions at pace with respect. It’s going to be a long complex journey. Without the tragic death of George Floyd and the uprisings afterwards, without #TheShowMustBePausedUK, without #BlackOutTuesday, the UK music industry wouldn’t be at the watershed moment I believe it is today, Change is coming.
It’s simply time to act.
AMMO TALWAR MBE
CHAIR OF THE UK MUSIC DIVERSITY TASKFORCE
For further reading:
https://www.ukmusic.org/equality-diversity/uk-music-diversity-taskforce-workforce-diversity-survey/2020-report/ - Major report on Diversity
https://www.ukmusic.org/equality-diversity/ten-point-plan/ - 10 point plan
Other interesting articles
https://www.blackmusiccoalition.co.uk/our-manifesto
https://mixmag.net/feature/the-roadmap-to-change
Reports
https://www.ukmusic.org/equality-diversity/creative-industries-council-diversity-charter/
More Than A Moment: Action With & For Black Creatives
This is a long-term commitment to dismantle the systems that have for too long kept Black artists and creatives from achieving their potential in the arts and cultural industries.
In October 2020, the ‘More Than A Moment working group’, a group of Black artists & leaders from arts organisations across the West Midlands launched a pledge for the West Midlands art sector to take action to dismantle the systems that have for too long kept Black artists and creatives from achieving their potential in the arts and cultural industries.
We at Punch are very proud to stand in support of this pledge. We’ve decided to host this pledge on our website so that it can be seen further and wider; so that we can be held accountable to this pledge, and so that you, the reader, can also agree to the actions within the document.
Taken from the pledge:
“This is our promise for radical & permanent change:
Create opportunities across the sector at all levels.
Be accountable for the change.
Create an anti-racist culture where Black people can thrive and fulfil their potential.
This is a long-term commitment to change, and will be prioritised into short, medium and long-term aims, with appropriateness to the scale and capacity of the organisation. We will carry out the principles and actions outlined on the following pages.”
Meet 12 Midlands-based Creatives That Will be changing the Industry In 2021
Introducing the 12 creatives that are a part of this year’s ‘The “P” Word’, a project supporting diverse creative artists & entrepreneurs in the Midlands
We’ve launched a new leadership project, ‘The “P” Word’, to support diverse creative artists & entrepreneurs in the Midlands, and develop their small creative businesses; into viable platforms that can better represent PoC and help regenerate the sector. We would love to introduce you to our 12 creatives below that are a part of this year’s ‘The “P” Word’.
We’ll be hosting an online launch party on Thursday 23rd July, and you’re invited to attend. Details here.
Daniel Alexander
Award-winning director and filmmaker based in Birmingham. He currently produces and directs work for platforms and agencies including the BBC Academy and the BFI including the official Commonwealth Games Handover for the BBC.
Daniel is a BAFTA crew member and sits on the board of the region’s industry screen body, ‘Create Central’.
NAMYWA
Hailing from the West Midlands, Namywa is an international singer-songwriter and recording artist. Namywa’s music is inspired by artists like Amy Winehouse, Diana Gorden, Yebba, Jill Scott and Laura Muvla.
Namywa’s artistic Journey is underpinned by with the willingness to support, inspire and develop other BAME people, mainly brown women and girls to access the arts industries.
RTKal presents: The MBC
”I have performed across the world and learned from the music industry internationally, which brought to my attention how overlooked Birmingham’s talent is, and how little we have in terms of a creative industry infrastructure. The MBC is a contribution to the infrastructure.”
The MBC - Music, Birmingham, Culture - is a multipurpose retail and venue space created by RTkal and his team to shine a light on Birmingham's creative industry and its rich pool of talent.
Tarju Le’Sano The DopeRes K.I.D
Tarju Le’Sano The DopeResK.I.D is a Producing Artist, from Birmingham, UK. Specializing in Songwriting, Spoken Word, Music Production & Dance. With standout performances and a passion for the stage he is not easily forgotten.
Tarju aspires to be the next global superstar from Birmingham UK, showing through his unique delivery, production and performance style, that he is a force to be reckoned with.
Ayola Lee presents:YOLA Entertainment
YOLA Entertainment contributes to the Music & Creative infrastructure here in Birmingham by building a sustainable Media Company. Providing artists, creatives & entrepreneurs with a platform to be seen and the necessary support to further their journeys.
ARRON GILL PRESENTS: THE GAP
“My name is Arron Gill and I am a Creative Producer and core team-member of The GAP Arts Project, an arts organisation based in Balsall Heath that creates space and time for young people to make sense of the world through creative and cultural action.
Using a range of drama and education methods, and other pedagogical practices developed over the years, I became deeply deeply passionate and committed to organising and creating cultural work that strengthens communities. My practice often seeks to create radical ruptures using creative tools to deeply explore our relationship with the world.”
KEIRAN FRANTIC PRESENTS: KNOW HOPE
Know Hope was founded in 2015, initially as a streetwear brand, that centred around positivity and community cohesion. Over the span of 5 years, we rose to local dominance and became known for our innovative approach to branding and marketing. In 2019, our Managing Director Keiran Frantic, saw an opportunity to widen the reach of the support by evolving the brand.
Today, Know Hope Digital combines the know-how and experience of freelance designers, marketers and videographers under one umbrella brand. We produce content for commercial/social use, design & steer campaigns and facilitate workshops.
Tennexa Freeman Presents: TCU - The Creative Universe
TCU - The Creative Universe is a grassroot and BAME-led company. We offer high-quality theatre productions, and site-specific experiences to diverse audiences across the Midlands.
We create meaningful and impactful projects that positively represent, support, engage, empower and serve the marginalised communities we come from.
lekan Babalola & Kate Luxmoore presents: Ifa-Yoruba Contemporary Arts Trust
I-YCAT was founded in 1995 by Grammy-award winning percussionist Lekan Babalola.
A unique, arts and cultural charitable organization, Ifa Yoruba is committed to sharing and maintaining the integrity and relevance of Yorùbá arts and culture in wider society – within local communities, both in the U.K. and overseas.
Aaron Wiggins presents: Wiggins Media
Wiggins Media was officially registered in 2018, but first began trading in the summer of 2017 offering showreels and music videos. “The aim for me personally to begin with was to provide these two services for friends but quickly discovered the demand for video content.”
After going full time with the business in 2018 and experiencing the initial struggle that comes with launching a start-up, the services expanded to corporate videos, adverts, event capturing and weddings. We are now in our third year of trading and aim to grow the team over the coming years.
STEADY PRESENTS: YUGEN ARTS
International acclaimed choreographer and dance artist, Steady, is a two time Guinness World Record holder and founding member and Co-Artistic Director of Flawless Entertainment.
His new company, Yugen Arts, is a hip hop theatre and dance production company that specialises in the art of storytelling with dance at the forefront. Yugen Arts believes in art with purpose and create captivating, experiential, thought-provoking work through their productions and educational programmes.
TASHAN ELLIOTT PRESENTS: CLICK VISUALS
We help our clients thrive in the digital era by using real human insights & platforms to design experiences that are seamless and engaging. By delivering sustainable brand awareness.
We offer a range of Services including Marketing content, Branding, Photography, Videography, Live Streaming Events/Podcasts, Influencer marketing as well as social media/Branding training . We have worked with and been published by Google, BBC Radio 1,BBC Sports, Coca-Cola, Birmingham City Council, ACGP International, Old Rep Theatre, The Guardian, Scarlett & Jo London and many more. Our projects have also been featured on BBC News and ITV News.
If you would like further updates about ‘The “P Word’, subscribe to our Newsletter; and follow us on Twitter, Facebook & Instagram.
The "P" Word press release - new leadership programme for diverse creative entrepreneurs
The “P Word” tackles the structural inequalities that continue to hold back the potential of black artists and new-entrepreneurs
The “P” Word 2020 Press Release
The “P” Word is a brand-new, nine-month leadership development programme for diverse artists and entrepreneurs. Co-designed with its participants, THE “P” WORD is being led by PUNCH and the CENTRE FOR RESEARCH IN ETHNIC MINORITY ENTREPRENEURSHIP - “CREME”- at ASTON UNIVERSITY BUSINESS SCHOOL.
As COVID-19 continues to impact the creative industries, innovative models of business support are needed now more than ever, especially to tackle the structural inequalities that continue to hold back the potential of black artists and new-entrepreneurs. THE “P” WORD is designed to identify "roadblocks” holding back the productivity of creative businesses and will address them through bespoke training and intensive mentoring.
The value of the UK’s creative industries broke the £100bn barrier in 2018, with the West Midlands contributing £4.1bn to that figure. Despite this, artist-entrepreneurs often find it tricky to define what ‘productivity’ means for their business, much less take steps to boost it and make their small-medium sized enterprise (SME) more robust and growth-focused.
“I know THE ‘P’ WORD will unlock some areas of business that are in my reach. I just need some extra support to approach them”
The inaugural twelve participant SMEs include visual media companies, venue and project spaces, artist platforms and charitable organisations. All of them have identified their own development needs and are now poised for intensive, tailored leadership training and mentoring that will see them increase the long-term scale and scope of their creative work.
It's been more than a year in the making and major partnerships have been established with BIRMINGHAM CITY COUNCIL and ASTON UNIVERSITY. With multiple opportunities to pitch for investment and renowned guest mentors from around the UK, THE “P” WORD is primed to deliver and couldn’t be better timed.
Follow @punchrecords for all details, updates and launch information.
wearepunch.co.uk/the-p-word
Supporting black filmmakers - BACK IN returns for it's 4th year
BACK IN is the leading black film development programme in the Midlands, UK.
BACK IN is the leading black film development programme in the Midlands, UK.
As part of Punch’s commitment to supporting and nurturing talent around the UK, our flagship filmmakers programme, 'BACK IN', is returning for its fourth year this Summer.
BACK IN is for early-career black filmmakers in the Midlands, produced by Punch and managed by award winning Director and Producer, Daniel Alexander. For 2 days a month, over 9 months, 6 filmmakers will receive micro bootcamps, by recognised professionals from a range of backgrounds including:
Script Writing
Film set experience
Industry practice
Festival bookings
Budgeting
Fundraising
Film pitching
Each filmmaker will be commissioned to produce a short film. Applications close Monday June 1st at 5pm Visit backinuk.com to apply or contact Cas@punch-records.co.uk.