Punch's 2024 Rewind: 9 Moments That Defined The Year

Samory I at RMBL, Birmingham

#1 touring samory i & mortimer

“Kicking off 2024 with Punch’s first tour of the year, we had the brilliant Samory I & Mortimer alongside Tippy I Grade! From producing the tour from start to finish, witnessing the crowds in awe, and hearing the fans share their stories whilst reminiscing to the lyrics from Samory I & Mortimer, it was a great experience. I especially enjoyed seeing the crowd's reaction when we brought out special guest, Protoje!

My second highlight of the year is being accepted on the CBSO Community Board, which resulted from my CPD last year, being on the Future Board Accelerators programme with People Make It Work.”

- CAS Thompson, Creative Producer

#2 celebration & Recognition

“Birmingham is a humble city and often quiet about its incredible achievements.

At Punch this year and going forward, we’ve committed to celebrating the artists we work with and showcasing the brilliant work we do. This year, I was proud to see our Marketing & Comms team, Sannah Sajid and Ellie Howard, nominated at the Inspirational Youth Awards—alongside Gallery37 artists Connor Pope, Dayle Demarae, and Lo Williams, with Ellie taking home a win! Nikki Riggon and I had the pleasure to present the Arts & Culture Award during the ceremony, representing the work that we do at Punch proudly. We also earned awards from the Social Economy Awards and CORE.

Excitingly, Punch awarded a full scholarship to a student at ACM Birmingham, providing them with an education & investment into their career career worth thousands. Over the year, we have seen more and more of the brilliant artists that we’ve worked with recognised and awarded all over the UK, including Georgie Neath, Anya Kalsi, and Amaan Jahangir.

Looking ahead to 2025, we’re focusing more on spotlighting artists and opportunities across our platforms. Birmingham’s creatives and entrepreneurs deserve their flowers, and we’re determined to help them shine.”

- Bradley Morrison, Head of Marketing & Communications

Punch team at the Inspirational Youth Awards

Community Routes Panel with Daniel Alexander, Kezia Rose, Buxley, Screama and Kibla Ahmed

#3 supporting artists journeys

“I have two highlights this year, the first being BBC Introducing LIVE in Birmingham. Being on a panel giving one-on-one feedback to artists on their songs was an exciting moment for me. I felt I got a chance to contribute to different artists' journeys and met some really talented individuals along the way.

My second highlight has to be Community Routes, I was in charge of booking each facilitator which meant that I got to have some insightful conversations with some amazing people. It was incredible to see the way the final selection of facilitators connected with the creatives on Community Routes and really brought out the best of their abilities.”

- Jasmine Leslie-Booth, Creative Producer

#4 gallery37 Commissions

“This year we commissioned six participants from our creative development programme, Gallery37, to bring their brilliant ideas to life.

In a challenging creative landscape with limited opportunities beyond the foundational level, nurturing and growing the talents of these artists felt vital.

Dabbling in Creative Producing has deepened my understanding of curatorial perspectives and strengthened my leadership skills. Working with these artists has allowed me to contribute meaningfully to the development of the next generation of creatives.”

- Fahmida Choudhury, Insight Producer

Gallery37 Commission, Mixed Messages Exhibition at the Old Library

D’Yani in London on his sold out UK Tour

#5 touring D’Yani

“The D’Yani tour has truly been the highlight of my year, especially getting the chance to work behind the scenes and experience the industry from a completely different perspective. Being on the other side has opened my eyes to the intricacies of the production process, giving me a deeper insight into what makes everything come together. It’s been an invaluable experience that’s broadened my understanding and appreciation for the work that goes on beyond the spotlight.

I was surrounded by a talented, passionate team, and everyone brought something unique to the table. Not only did I learn a lot from them, but I also had the opportunity to build valuable connections and expand my network. It was inspiring to collaborate with such interesting individuals, and the relationships I’ve formed will definitely be a lasting part of the experience.”

- Lamar Riviere, Creative Producer

#6 Developing New Projects

“Experiencing Community Routes, seeing the programme come together and witnessing each creative camp in full flow was exceptionally rewarding- and more than that, it was inspiring to watch each artist come into their own whilst in less than one week during the Residency.

This was my first year at Punch, and from the jump I recognised that this organisation doesn’t just share their values and work ethics, but the more importantly practise what they preach- and make the working environment, events, initiatives, commissions and programmes inclusive and diverse. 

I couldn’t end my string over stand out moments of the year without highlighting my work on the BRIG and WMCA projects. Leading my first event [BRIG Summit] was both challenging and exciting, and was a great introduction to Punch. As I come up to the end of the year, I’m happy to see our collaboration [Activate] with WMCA has enabled us to offer 54 creative professionals & entrepreneurs invaluable opportunities for growth.”

- Lizzie Giles, Creative Producer

Community Routes Showcase at Centrala

RTKal on set of his latest music video in Jamaica

#7 jamaica Adventure

“Earlier this year in October, I travelled to Jamaica with a small group of from Punch, and some of our collaborators and I can’t wait for you to see what we got up to.

We worked on two documentaries, with one being alongside Rolling Stone Africa, which explores Africa’s influence on Jamaica’s Music & Culture.

I got to meet and work with the likes of 1 Biggs Don, D’Yani, Maestro Don, Big Zeeks, RTKal, Cali P, Likkle Wacky, King Kally and Autarchii, and it was great to capture some of their stories.

- Ellie Howard, Content Creator

#8 LEGACY’s impact

“Working on the campaign for LEGACY, a six-part docuseries that premiered on LinkUpTV was an amazing experience. This series delves into the history of Birmingham's rap and grime scene, unraveling the key factors that have shaped it into what it is today.

Developing the platform for this project allowed me to witness firsthand the impact that storytelling and music can have in preserving and celebrating the rich heritage of a community. We received over 300K views from Reels & Shorts alone, and this project allowed me to contribute to an important cultural conversation with untold stories from Birmingham heavyweights and showcase the invaluable contributions of Birmingham's music scene to a more national audience.”

- Sannah Sajid, Digital Marketing Co-Ordinator

Jaykae in LEGACY

LEGACY’s Birmingham Premiere at Millennium Point

#9 legacy’s next steps

“The biggest highlight of my year with Punch has been announcing our collaboration with the CBSO to bring LEGACY 0121 to the stage.

LEGACY started in 2022 when Punch funded a project to document Birmingham’s rap scene. We commissioned Daniel Alexander to create a film, and, true to form, he delivered something incredible. We screened it at two sold-out events, and the response was amazing.

That momentum pushed us to dig even deeper into the stories of Birmingham’s music pioneers. We teamed up with Daniel again to create a series for LinkUp TV and worked with the likes of Casey Bailey and Jess Munroe to produce a book.

Then earlier this year, CBSO approached us with an idea to take LEGACY even further. For the past six months, we’ve been co-producing a live stage performance - a fusion of Birmingham’s rap history with the power of a 60-piece orchestra. It’s happening for one night only at Symphony Hall, and it’s going to be something truly special.

This collaboration with the CBSO lets us push creative boundaries, reach new audiences, and shine a spotlight on some of the most talented musicians The Midlands has to offer including Jaykae, Lady Lesurr, NODB, C4, Roxxxan, Dapz OTM and so many more.

I’m extremely proud to be a part of this project and can’t wait to see it all come together in 2025.”

- Nikki Riggon, Head of Programme

Mentoring For Mentors

Punch and Aston University’s Centre for Growth are offering two free online professional development workshops designed to enhance your coaching and mentoring abilities. These sessions will equip you with the right tools to inspire and empower the next generation of creatives.

Upcoming workshops include:

1. The Impactful Mentor – 24 or 25 Oct (date & time TBC)

   You'll learn how to build trust, motivate mentees, and guide emerging talent with confidence.
   Gain practical tools to make a lasting impact as a mentor in the creative community.

2. Next Level Mentoring – 19 or 20 Nov (date & time TBC)
   
   Focusing on overcoming common mentoring challenges, fostering long-term growth, and developing tailored support strategies.
   You'll refine your skills to create lasting, transformative mentoring that strenghtens existing relationships and builds new networks.

Led by expert trainers, these interactive workshops will help you:

• Build confidence and enhance your mentoring skills

• Draw from your own creative journey to support others

• Explore new income streams as a mentor or trainer
  This is your opportunity to grow your professional skills and give back to emerging creatives in the West Midlands.

Apply now by contacting cas@punch-records.co.uk to reserve your spot or contact the office on 0121 794 0244

Six upcoming projects from Birmingham's emerging creative Scene

We are proud to announce six exciting new commissions from seven emerging Birmingham-based artists. These Gallery37 commissions have been funded up to £5,000 each and showcase a diverse range of ideas & projects set to make waves and captivate new audiences across Birmingham over the next 12 months.

Here's a glimpse of what to expect:

• Becoming Kings – Led by Dayle Demarae, you can expect to see the first episode of the upcoming animated series which serves to showcase an authentic representation of Birmingham’s rich multicultural environment.

• Like Sister & Brother – Led by Gurpreet Kaur & Sohail 'SliK' Qureshi, you will get to see a 10-minute preview of a new sitcom which explores the comedic dynamics between half-siblings Sukhy and Sammy. As they navigate living together under one roof, their contrasting personalities and cultural backgrounds create humorous and heartfelt moments, ultimately leading them to see each other as true family.

• Purple Clouds EP – Led by Rere Demarae, this is a self-produced Neo Soul project which blends 90s and early 2000s nostalgia with a contemporary twist. It will feature three tracks along with independently produced music videos, showcasing the artist’s skills in production, recording, and design.

• Identity in the West Midlands – Led by Precious Umurhurhu, this anthology of poetry and short writings brings together ethnically diverse young and emerging artists. It captures the voices and experiences of those who have recently settled in the West Midlands or have lived there for an extended period, offering a rich tapestry of stories from the region.

• Mixed Messages Exhibition – Led by Amaan Jahangir, you will get the chance to see an art exhibition featuring 30 new paintings inspired by text messages from South Asian culture and communities. This project delves into mental health and the nuances of intimate relationships, aiming to spark dialogue and reflection. The exhibition also includes a documentary, highlighting the therapeutic power of art and its role in emotional exploration.

• Heroes of History – Led by Addie Parr (and supported by Juneau Projects), this comic book series is dedicated to exploring and sharing Black history. Through engaging storytelling and vibrant illustrations, the series will bring significant historical events and figures to life, making Black history accessible and engaging for all ages.

“We are proud to continue supporting these talented young artists who are shaping the future of Birmingham’s creative scene” - Bradley Morrison, Head of Marketing & Communications at Punch Records. “Despite the challenges which the Birmingham arts sector currently faces aswell as dwindling youth provisions and services, we’re thankful to celebrate and support the next generation of creative talent in the West Midlands with the continued support of the Arts Council England. These commissions are a testament to the diverse and vibrant spirit of Birmingham’s creative sector.”

The first of these commissions, "Mixed Messages", will take place on Friday 4th October, which you can book your tickets to now.

Fully-Paid Scholarship Opportunity with the Academy of Contemporary Music and Punch Records

The Academy of Contemporary Music (ACM) and Punch are offering a fully paid scholarship for an exceptional undergraduate student from socio-economically diverse and Black, Asian & ethnic minority backgrounds. This scholarship aims to provide financial support for aspiring students who might otherwise face higher financial barriers.

About ACM

The Academy of Contemporary Music is the UK's leading creative industries education provider and is renowned for its specialist courses in: Music Performance, Songwriting, Production, Business, and more. The selected student will benefit from support by industry professionals in world-class facilities, setting the stage for a successful career in the creative industries. ACM is dedicated to providing top-tier education in the creative arts. With a curriculum designed to meet the demands of the ever-evolving music and entertainment industries, ACM offers a unique and immersive learning experience. Students have access to state-of-the-art facilities and are taught by professionals who bring real-world expertise to the classroom.

mentorship

In addition to financial support, Punch will provide mentoring to the chosen student. This mentorship will offer invaluable guidance and support, helping the student navigate their educational journey and career aspirations. Punch is the UK’s leading creative development agency for young people from diverse backgrounds. Known for championing creatives across the UK through ground-breaking talent development programmes, national tours, music releases and creative projects, Punch is an ideas-led organisation that positions Black arts as an industry that makes meaningful and measurable contributions to the creative industry. Punch aims to foster a more inclusive and dynamic creative sector.

ACM and Punch are proud to offer this opportunity to make a lasting impact on the life of an aspiring student, and to help them to achieve their full potential and enter into the creative sector.

How to Apply

This is a unique chance to receive top-tier education and mentorship. For more information on the scholarship please visit https://www.acm.ac.uk/scholarships-awards-and-bursaries/

Community Routes Seeks To Up Skill 150 Young Creative Professionals In The West Midlands

We are thrilled to announce the launch of Community Routes, an exciting new programme dedicated to equipping the next generation of young creative professionals with the tools, skills, and support they need to thrive in the working world.

Community Routes is not just another training initiative; it is a lifeline for young talent at a time when youth services are facing cuts across the country.

Following the success of our ongoing programme Gallery37, Birminghams flagship creative development programme which invests in the city’s next generation of creative artists; Community Routes, will offer a Residency, Mentors, Workshops and Networking opportunities to provide a safe environment for skill development for young professionals in the West Midlands.

We are furthering our reach and deepening our commitment to the region's young talent in the Midlands with Community Routes over the next three years, as we seek to empower 50 young professionals in the creative industries each year, focusing on those aged 18-25. This means that by 2027, we aim to have supported over 150 emerging artists - providing them with personal, professional, and creative development opportunities that are often inaccessible due to financial and institutional barriers.

So, what can participants expect from "Community Routes"?

Community Routes will provide young people with an exciting journey that builds upon their established skills, interests and knowledge. Beginning with a Residency, where young creatives can choose from one of five camps: Film, Digital Arts, Event Production, Vocal Performance and Music Technology. The selected programme participants will get the chance to develop their skills in their chosen camp in an intensive weeklong, bootcamp-style Residency with experienced mentors that will help develop their passion and give them transferable skills, knowledge and leadership to improve their education, employability and economic opportunities.

As part of the programme, participants will have the opportunity to work with specialist mentors, and get the chance to participate in workshops to master skills in areas such as leadership, producing, management, performance and budgeting. The Creative Industries is a complicated world to navigate, and we believe it’s important to provide professional guidance, and have opportunities to share industry knowledge so that a stronger infrastructure can be created in the region.

We will then be giving space for Community Routes participants to showcase their work and network with the public, potential employers and the wider Creative Industries.

Community Routes not only highlights & supports the incredible talent in the Region but also serves as a launchpad for future opportunities, opening doors that might otherwise remain closed.

“I feel very proud that we’re able to build upon the work we’ve accomplished through Gallery37 over the years by nurturing talent in contemporary art forms and enabling young artists to launch sustainable careers. During a time when opportunity in the arts space is dwindling, the fact that we’re able to offer this development opportunity and make it accessible seems all the more important.”

— Nikki Riggon, Head of Programme & Producer of Community Routes

As we launch this brand new programme, we invite you to join us in supporting the West Midlands emerging creative professionals by sharing this programme far and wide. Do you know young artists that may be interested in Community Routes? We encourage you to share this programme with your personal circles so that we can continue supporting and celebrating young people to thrive in our region. Applications close on Monday 29th July.

Generously supported by The National Lottery Community Fund.

10 Music Artists You Must Know In 2024

The next wave of UK artists that are ready to take over your streaming playlists have arrived.

We have put together a list of 10 fresh & exciting music artists who are ready to shake up the UK music industry. From Leeds-based Rap/R&B Artist Ntantu to Bimingham’s very own A.S Kullar, these artists are about to have an exciting year, and this is your chance to hear them first.

Ntantu

3K Monthly Listeners

Over the past five years, rapper and producer Ntantu has been quietly developing a signature sound of Afro Pop, Rap, RnB and Dancehall, showcasing a fusion of styles and influences. This is reflected in his songwriting and production.

No Guidnce

500K Monthly Listeners

No Guidnce: the TikTok sensations determined to reshape the narrative of the Nineties boyband. After making it big on TikTok, these Londoners have their sights set on becoming this gen's Boyz II Men.

Geovarn

50K Monthly Listeners

Geovarn rose to prominence with his debut single ‘4am’. Since then the Singer, Rapper and Producer has delivered consistent sounds on beautiful crisp beats. Added with Stunning vocals on smooth RnB/hip hop beats, exceptional flows and well placed harmonies. Geovarn has impressed many industry favourites. The vivid RnB Rough Vocalist hails from North London.

Skeete

600K Monthly Listeners

A Captivating Fusion of R&B, Neo Soul, Dancehall, and Afrobeats. Hailing from the vibrant city of Nottingham, Skeete has masterfully crafted a musical style that effortlessly combines the soulful melodies of R&B and Neo Soul with the infectious rhythms of Dancehall and Afrobeats. With a global following that transcends borders and a sound that resonates with both introspective ballads and uplifting anthems, Skeete has firmly established himself as an artist of immense talent and versatility.

Mafro

124K Monthly Listeners

MAFRO makes emotional electronic music that swings between melancholy and club euphoria. Growing up in North London with a Trinidadian mother and an Irish father, MAFRO’s home was filled with a blend of steel pan-infused Soca beats and traditional Irish melodies, as well as the UK Garage and RnB that his older sister would play on repeat. This diverse range of influences has profoundly inspired his music-making.

Surya Sen

159K Monthly Listeners

Surya Sen is a British-Bengali electronic producer and rapper from North London. His passion for the New York boom bap scene led him into a love affair with the sampling culture of the 90s and the desire to emulate artists such as Large Professor, J Dilla and Pete Rock. As his interest in different genres developed, he branched out to dance based music and eventually fell on the Detroit House and Chicago dance movements. 

ALANA MARIA 

21K Monthly Listeners

Introducing Alana Maria, the 22 year old music sensation from West London, embodying self expression whilst tugging on the heart strings of both old and new school R&B enthusiasts, sharing her raw talent with the world. Alana’s authentic sound uses R&B and Afro-Caribbean concepts, showing the beauty of culture in a new light - ranging from heartbreak and love songs to catchy tunes and dance masterpieces.

a.s. kullar

5K Monthly Listeners

A.S. Kullar is an up-and-comer out of Handsworth bending genres with soulful, sample-based, hip-hop rooted beats. He independently released the raw yet impressive Rules of Engagement EP in collaboration with another West Midlands artist, Beant Dhillon. Demonstrating his versatility, Kullar has secured a hugely impressive coup with his new track Chemical Reaction featuring New York giant Benny the Butcher, releasing this Friday. His obvious talent provides a refreshing contrast to the cookie-cutter offerings too often seen in Punjabi music right now.

Samira

129K Monthly Listeners

In early 2022, Samira decided to throw herself head-first into building a pop career, quickly landing on the radar of some of the music industry’s most respected songwriters and producers. 

Clementine Douglas

5M Monthly Listeners

Songwriter, vocalist & producer Clementine Douglas is a go-to writer-singer for the global Dance world, signalled by winning Radio 1's Dance Awards Vocalist of the Year 2022.

Punch's 2023 Rewind: Highlights of the Year

As we bid farewell to another unforgettable year, it's time to pause & reflect on the moments & milestones that have come to define this year for Punch. From global campaigns to documenting the stories of local unsung heroes, this year has been one for the history books.

We are proud of every project, every event, and every collaboration that we have worked on across 2023, but we’ve taken it upon ourselves for the hard task of defining each of our highlights of the year. So without further adieu, we present our Punch 2023 Rewind: Highlights of the Year!

Jay L’Booth, creative producer

“Where to start! What an eventful year! I have to say, my main highlight of this year has been producing the ‘In The Room’ Podcast. Thanks to DJ Biggoss, we secured some exceptional people to speak on the podcast and a lot of exciting gems were shared. 

The guests who were interviewed have done some really amazing things, Just to mention a few; Kane Dunn, Meekz manager, Nicole Wallace-White, Clavish’s Tour manager, Gracey Mae who has done bits for the Afrobeats scene! The host, DJ Haych was incredible and asked the right questions to pull the best information out of the guests.

With topics like “How to maximise your income”, “How to navigate the legal side of the Music industry” and “Music distribution”, the episodes were not only entertaining but also educational. I can’t wait for this series to be released online in 2024!”

Bradley Morrison, Head of Marketing & communications

“The Voguing & Waacking scene has been steadily growing in Birmingham over the last decade and has provided a platform for countless dancers to express themselves in ways that were once unimaginable outside of queer nightclubs in the city.

During the Gallery37 Residency earlier this year, we had the pleasure of inviting the legendary, Eric Scutaro (Dancer & Co-Founder and Director of Queerside), to lead a dance masterclass during the height of the preparation for the Showcase. Little did we know that this Masterclass would bring together so many creative camps - as they all jumped at the chance to learn about the history of the dance styles that were born from Black & Latino communities in the 70’s & 80’s; and have inspired popular culture around the world.

It warms my heart to see Birmingham value & appreciate Queer artforms, and revel in the opportunity to learn from the greats in the city. I have no doubt that artists who were present during the masterclass such as Serena Sunflower and Darby McGuirk (who both demonstrated their Waacking skills in the Showcase) will continue the legacy of the dance style within the city.”

Ellie Howard, Digital content producer

“This year, my standout moment was being given the opportunity to fly out with some of Punch associates to Jamaica.

Over 7 days, we were immersed in the music scene and captured an abundance of content featuring music artists from Jamaica, Trinidad, and the UK.

Being able to film at Big Yard Studios for 3 days gave us the chance to meet many different artists who will be included in the brand-new documentary about the first-ever showcase event in Jamaica.

I also got to work on directing the Big Zeeks X Ding Dong video. Seeing the vision we had come to life was amazing.”

CAS Thompson, creative producer

“LIFTED! The first tour to kickstart touring for Punch this year!

Being a Christian is a very important aspect of my life as it has assisted with shaping who I am today. It was such a privilege to produce Punch’s first Gospel tour and work with the three amazing headline artists; Asha Elia, Annatoria, Still Shadey, and the live band; Chemistry Music Group.

LIFTED allowed Punch to highlight the Gospel scene, and allowed me to explore multiple Gospel music genres as the three artists; consisted of R&B and Rap. It was heartwarming to see that within each location the crowds were praising, worshipping, and feeling uplifted!

Another highlight for me was being the Punch lead Producer on the Romain Virgo UK Tour. Romain entertained the crowd with his popular singles whilst also adding reggae classics from Reggae icons. This kept the crowd in awe throughout the tour each night. This was a great way to end the touring for this year!”

Sannah Sajid, Digital Co-ordinator

“The most important piece of work that we commissioned this year for me was ‘Tug Of War’. A spoken word piece alongside an animation that shed light on the pressing humanitarian crisis in Palestine. This not only was a beautiful piece of work but also resonated deeply with my values and beliefs.

This powerful artwork managed to capture the essence of the crisis and evoked a strong emotional response from the audience. It brought awareness to the suffering of those affected, pushing you to take action and make a difference. "Tug of War" beautifully depicted the struggles, resilience, and inherent humanity amidst the crisis, leaving you inspired and motivated to contribute in any way you can.

This cause is one that is close to my heart, so to be able to work for a company that speaks up against injustice and isn’t afraid to use their voice is very special.”

Fahmida Choudhury, Insight Producer

“This year, my standout moment was witnessing the Gallery37 creative development programme unfold.

Engaging with it for the first time, I found it incredibly inspiring to see Birmingham's young artistic community unite, forge new friendships, and showcase their creative talents.

The programme provided a platform for these budding artists to express themselves and foster a vibrant creative spirit, making it a memorable and enriching experience for all involved.”

Nikki Riggon, Head of Programme

“2023 has been a blur! Like most years it's hard to choose a highlight but something that has been hugely significant to me and a constant throughout it all are the moments of self-discovery and reflection. Not just in myself but in the whole Punch team who I've seen take on new challenges and in the artists we’ve developed through Gallery 37, The P Word, In The Room and other programmes. 

It's important to reflect on the work we’ve done, to understand its impact and what can be done differently going forward. We had a huge opportunity to look at work Punch has done over the years through our partnership with Google Arts and Culture who are currently showcasing our work in their digital exhibition, Union Black. It was a huge honour to see our work celebrated as something which has shone a light on talented artists and rich culture in the UK, particularly Birmingham. 

This year has been a year defined by new live music events, development programmes and art commissions which have each sparked ideas and ignited bigger things to come in 2024.”

rohan ram, creative assistant

“The Gallery37 Showcase represented the vibrant culmination of two weeks of dedicated graft by the young Artists and the successful fruition of months of meticulous prep work by the Punch team.

Two weeks before the event, 100 young artists, then strangers, entered the Aston SU hall, unaware what was to come. Yet to the spectators of the showcase, this would have been scarcely believable. They witnessed a bustling, supportive atmosphere, where authentic collaboration and sheer talent was able to thrive. The Showcase marked the first time their work was able to be exhibited and performed in such a professional setting, attended by many senior Arts professionals. It was the fitting, celebratory reward that their efforts deserved. 

On a personal note it represented the first major project I’ve worked on and I was struck by how such a project can have a genuine impact on the early stages of young careers. It was inspiring and felt like real, true work. I can’t wait to see how Gallery37 continues to unfurl.”

Sonic Southall: Diving into the Burgeoning British Asian Communities Represented at Boiler Room

Stepping into a South Asian wedding venue injects a shot of adrenaline straight into the senses: the wild tapestry of colour sewn into the fabrics and decor, pulsing bass reverberating from speakers and dhols, vivid aromas enveloping the building as hot trays of food are hurriedly whisked around a chanting gaggle of pissed up uncles sporting sheekh kebab- stained shirts and dance moves that were on their last legs in the mid- 80s. In August 2023, Boiler Room Southall managed to bottle up this distinct essence and repackage it into a fresh, boundary pushing event embodying the diversity of talent emerging from the diaspora, aptly set in a ‘Little Punjab’ based wedding venue.

The event featured ensnaring sets from original Daytimer icon DJ Ritu MBE, Manara, Manj and Yung Singh and Raf Saperra, who were supported by traditional folk instrumentalists. Panjabi Hit Squad stood out for me, seamlessly blending eras and genres in a set that was both nostalgic and forward-thinking. The night transcended musical spectacle for me; witnessing and connecting with an array of modern British Asian creative talent was rousing . Previously I had only seen elements of this burgeoning community from afar on social media. In person and close-up, I saw why this scene is poised to produce seismic shifts in the industry … if nurtured correctly. Such communities serve a dual role: as prodigious purveyors of art and as safe spaces where cultural preservation and expression converge. It’s the latter that forms the crux of this piece.

Artists are contributing to the broader cultural landscape

Rapper Beant was one of the faces I connected with at Boiler Room. I was excited about him prior to the event, writing about his partnership with West Midlands producer AS Kullar in my last piece. Since the event, Beant has soared to new heights: releasing his single Gallows, becoming BBC Asian Network Introducing Artist of the Week and performing at a Jawani4eva event. For Beant, as a Punjabi, writing is in his blood and the exploration of his background and perspective on life as a Brown Geeza in England mark key themes throughout his music. I found his ambition refreshing: he doesn’t want to be pigeonholed as just an Asian artist, he raps in English, sees his competition as the likes of Knucks and Loyle Carner and aims to headline his own shows. 

Beant is rightfully known for his music first and foremost, but that’s not how I discovered him. Beant, like many other artists, has turned to content creation as a means of getting his name out there. However, Beant’s content is appreciative and educational, as opposed to the swathes of dross tossed into the attention hacking, happiness vacuuming TikTok algorithm. 

Whilst I was at Uni the topic of supposedly stolen jewels and potential reparations came up during a discussion amongst friends, one of whom rubbished such a suggestion and claimed that the Koh-i-noor diamond was benevolently gifted to the British from the Indians. Intuitively this claim felt dissonant. It constituted one of several times in my life that I’ve kicked myself and wished I’d known more about my heritage and language in order to speak up. This instance stuck with me and I madly researched the time period online. During the frenzy, one of Beant’s TikToks came up on my for you page (they really are listening). It was an insight into the remarkable life of the last Maharaja of the Sikh Empire, Duleep Singh. It was Singh who gifted the Koh-i-noor diamond to the British. A gift is usually taken to refer to a voluntary transfer of an item from one to another. However, I learnt there was nothing voluntary about this transfer. Duleep was 10 years old at this time, he was forced to sign over the diamond as well as his kingdom as part of the Treaty of Lahore, while his mother was imprisoned in a tower cell. 

The episode underscored a vital lesson for me about the significance of preserving cultural heritage and the pivotal role of artists, utilising their platforms for collective good. This becomes crucially relevant as generations evolve, particularly as 2nd-generation immigrants segue into the 3rd and beyond, navigating the complexities of cultural identity and assimilation. Modern day street philosopher and People Just Do Nothing’s Chabuddy G highlighted this social pattern through his willingness to fit in and “make some beige little fuckers and live the UKIP nightmare”. While descendants of immigrants may naturally drift from their cultural roots, artists and communities uniquely unite and enlighten through creative expressions, bridging heritage and sparking dialogues about diasporic identity and belonging.

Where do we go from here?

Boiler Room Southall illuminated a thriving modern community swaying on the precipice of indelible growth, but like all healthy movements a crossroad is faced. On one side the heat dies down and it dissipates into a transient fad. Alternatively large-scale incumbent institutions such as Boiler Room offer guidance and supportive infrastructure in order to fan the flames of the movement and support its continued progress. 

Gleaning insights from global narratives, particularly the wave of Punjabi artists in Canada—recently acclaimed on the inaugural cover of Billboard Canada—provides a persuasive testament to what’s achievable. From a commercial perspective, investment in talent at home opens up broader opportunities to tap into the South Asian market. The likes of AP Dhillon and Karan Aujla prove this. Collective investment in these communities also provides homes for the diverse array of characters within the diaspora and platforms for future talents to thrive.  

Photography by Yushy

Written by Rohan Ram

In The Absence of Female A&R’s

A&R’s play a pivotal role in the production and delivery of today's commercial music industry. They are the person within a label who is responsible for scouting and developing new talent. A&R’s are the linchpin between artists, labels, publishing and other aspects of the industry which work to nurture talent and make music into a product. 

In 2023, females make up 18% of A&R’s in the UKs commercial music industry. In the field of A&R, women are hugely underrepresented with 82% of roles disproportionately occupied by men, the result of which is a ripple effect impacting the sounds and images we consume through music. 

In 2022 The Jaguar Foundation reported on the impact of gender representation in Dance music and the findings were stark. It found that absence of representation resulted in lack of consideration for the safety of female artists, and audiences. Findings which translate across all spheres of the music industry. 

When executed well, good representation has the power to break stereotypes, highlight different perspectives, celebrate cultures and build community. However, diversity and inclusion is a topic to be addressed from the top down to preserve authenticity, especially when it comes to art. 

Whatever it is, the way you tell your story online can make all the difference.

This is why we have partnered with Parlay Records to create and deliver a development programme for regional women in music who have A&R potential. We want to create the opportunity for women to influence what they hear and the way that they are represented through music.  

We have put together a 12 month programme which will give 2 trailblazing females the opportunity to speak directly to major labels and key players in the industry. We will help them understand how the machine works and what it takes to create and market an artist. We’ll help them gain as much knowledge as possible before we give them the networks and the budget to kick start their own careers with their first A&R project. The A&R academy will begin this November and will help us to illustrate the impact that good representation can have on the industry and its consumers. 

Written by Nikki Riggon

The Forgotten Hub: Revitalising Birmingham's Place in British Asian Music

South Asian music courses through the veins of the global music scene and recently it’s been achieving the kind of prominence its pioneers could not have imagined. While London luxuriates in South Asian artists, promising talents in Birmingham and the Midlands are overlooked. Despite its rich history, can the region adequately nurture its young creatives in today's climate? The city's infrastructure is either unfit to serve today's artists or altogether nonexistent. But with innovative investment and fresh ideas the Midlands can reclaim its influence and place at the centre of the South Asian music map.

The South Asian Scene Going Global

In the UK recently we’ve seen junglist powerhouse Nia Archives mixing Jazzy B’s Naag into her Glastonbury and Parklife sets and I’ve heard from verified people (my mate Hayden) that it went off. Further afield Jay Z treated the world’s elite to a rendition of Panjabi MC’s classic Mundian to Bach Ke at the Louis Vuitton Paris Fashion Week show. 

There was also the watershed moment of Diljit Dosanjh’s emphatic entrance onto the Coachella stage. Donning a Carhatt vest and Jordans combined with a traditional black kurta and lungi, he announced “Punjabi aagaye Coachella oye” - proclaiming the Punjabis have reached Coachella. Not since Micah Richards burst onto the scene in the early 10s have we seen such an entrance. And not since the systematic destruction of the Whites, during the 2018 Asians vs Whites El Clàsico, have we felt such impact. 

Diljit’s performance rightfully earned widespread global attention and acclaim. Yet the role of Birmingham in cultivating this moment has gone overlooked. Diljit chose G.O.A.T as his opener, a track the festival then spotlighted online, garnering 3.3 million Youtube views. The producer behind this viral hit? Birmingham's own G-Funk, just 20 years old at the time. As his age mate, I was staggered by the gravity of this and ended up scouring the internet to find some kind of recognition for this achievement. Nothing came up. I searched through socials and local media. Nothing.

Why does the Brum scene not reflect this today?

My limited findings made me question the state of Birmingham and the wider Midlands' British Asian music scene. This is an area whose DNA is interwoven into the global tapestry. Home to trailblazers like Apna Sangeet, Apache Indian, the aforementioned Panjabi MC, and Bally Sagoo just to name a few. Yet today, why is there such a blockage preventing the Midlands being able to sustain its influence on the map? I put this down to a distinct lack of infrastructure and support, which prevents artists from being able to gain a platform, collaborate and really get some momentum going. 

And it’s not a question of a lack of willingness on the part of the artists. When I bumped into G-Funk on Soho Road doing Seva (a Sikh practice of selfless service), by handing out ice creams to passers-by for Midland Langar Seva Society, an organisation which provides over 150,000 meals per month to those in need. He echoed a strong willingness to collaborate, help fellow artists out and drive the scene forward.

There is no question that the community brims with promising talent. I recently caught up with producer A.S. Kullar, an up-and-comer out of Handsworth bending genres with soulful, sample-based, hip-hop rooted beats. He independently released the raw yet impressive Rules of Engagement EP in collaboration with another West Midlands artist, Beant Dhillon. Demonstrating his versatility, Kullar has secured a hugely impressive coup with his new track Chemical Reaction featuring New York giant Benny the Butcher, releasing this Friday. His obvious talent provides a refreshing contrast to the cookie-cutter offerings too often seen in Punjabi music right now.

Throughout our chat, Kullar lamented Birmingham's current scene and the barriers faced. He's fed up with sanitised Desi Beatz events at venues like Broad Street's Pryzm and Rosies, while Digbeth's creative hub rarely welcomes Asian music. Kullar also feels a lack of industry support from legacy institutions like Birmingham Mela, who generally invest in overseas acts rather than homegrown talent. For example the festival blew a chunk of their budget on Abdu Rozik, known largely for slapping Hasbulla, while demanding local artists foot the bill just for their own performance slots. 

Whatever it is, the way you tell your story online can make all the difference.

While well-intentioned, SAMPAD's Birmingham Festival takeover fell short of capturing the full spectrum of British Asian talent and expression. Its somewhat docile curation seemed to fall in line with stale eurocentric aesthetics, lacking vibrancy and original thought. To genuinely reflect the multiplicity of modern British Asian creativity, a new collaborative approach is needed to represent the boldness and boundary-pushing spirit of today's talent.

How can we revitalise the scene?

London groups like Dialled In and Jawani 4eva platform South Asian artists, spur collaboration, and provide an alternate model. Birmingham must also look to the successful blueprint of Britain's black music community. Groups like GRM Daily have built a thriving ecosystem that proudly rallies behind emerging singers, rappers and producers.  Birmingham is much smaller than London, yet somehow far less interconnected. Infrastructure is needed to weave the existing talent together and cultivate more, which then further reinforces the infrastructure.

As mentioned earlier, the Midlands needs innovative investment and fresh thinking to nurture its young talent. This begins with ripping up the existing blueprint and cultivating grassroots spaces and events for and by local youth, where their potential can overflow. It requires a media that properly celebrates homegrown stars rather than overlooks them. With this change in direction, Birmingham could reclaim its vanguard status in the South Asian scene.

Written by Rohan Ram

Inside The P Word: The Transformative Power of Inclusion

Underrepresented voices deserve business support that supercharges their talents - cue The P Word. The launch of the third cohort of the programme on 12th July proved that valuable business support can be delivered in a forward-thinking and inclusive environment, in stark contrast to its stuffy and uninspired counterparts. 

Gurdeep Chima, CREME centre manager, and Ammo Talwar, Punch CEO, offered insight into why the two organisations collaborated on this program. We're committed to making diversity and entrepreneurship priorities for everyone, and helping develop the wealth of talent that exists within our local communities. Our partnership builds on the work both organisations have done over the past 20 years, and guides the direction of our futures.

“Always have a side hustle alongside your core business or passion” Ammo Talwar - CEO Punch Records

Whatever it is, the way you tell your story online can make all the difference.

The programme provides bespoke leadership training and mentoring for the participants, as well as the chance to grow their networks and deepen their understanding of the West Midlands cultural and arts sectors. But The P Word does more than just give technical business facts. We have seen how the bespoke, authentic and open way it's delivered lets people grow as individuals, as well as entrepreneurs.

In my experience such business training events, especially in the corporate world, are often typified by a stench of awkwardness and boredom lingering throughout the room.  People there often seem to care more about the stale pastries and cold coffee given than getting to know each other's stories. However, what The P Word’s launch event lacked in refreshments, it made up for in passion, enthusiasm and the clear establishment of a supportive and collaborative environment. 

It was heartwarming to hear how The P Word contrasted with participants' past experiences in other programs. For example one participant, Suzanna, spoke openly about how drained she felt in the white male-dominated environments of other initiatives. There, she received no guidance on succeeding as a woman of colour in business. Instead, an air of unwelcome competition existed between the few ethnic minority participants. Other women echoed these feelings, often seeming like a tick-box - the one woman of colour who ought to be in the room. Suzanna admitted these past experiences left her nervous coming into the room on the day of the launch.

But upon entering, she and the group described a collective sense of relief in meeting one another. They spoke of the welcoming environment and how friendly and supportive everyone was. This demonstrates how The P Word provides the conditions, in which participants can focus purely on learning and growth, not race or gender. Here, talented businesswomen can shine regardless of colour.

Gemma Pilgrim, a graduate of the previous cohort, embodied the benefits of the program as she spoke about her experience. Gemma had a dance degree but little technical business knowledge. The facilitators' frank questions initially threw her out of her comfort zone, but ultimately helped refine her focus, alter her approach, and boost her confidence.

Ammo echoed the value of seeking out uncomfortable situations, recognizing that it is in pushing through challenging moments that true personal growth happens. He also encouraged them to move past any hesitations and actively pursue funding possibilities (except from Ammo himself, of course!) in order to enable great work and expand their experiences. 

Despite launching during COVID lockdowns, The P Word has already made a huge impact. It has fuelled both personal development for participants and spin-off projects. The first cohort met remotely on Zoom. While imperfect, it still proved rewarding and led to the production of the Black New Street and SHE documentary commissioned during lockdown. As The P Word's third cohort kicks off, the program continues to adapt and innovate. Its mission remains unchanged - to empower diverse talents that are too often overlooked. The stories of growth from graduates like Gemma reveal the life-changing potential when inclusive support enables determined individuals to unleash their full potential.

Programs like The P Word show what's possible when we lift up and make space for marginalised voices and communities. If this is the result of just two cohorts, it provides hope for what could emerge as this work accelerates. 

Written by Rohan Ram

Celebrating British LGBTQ+ Musicians of Colour

In the lead-up to Birmingham Pride this weekend, we want to celebrate LGBTQ+ artists from UK - in particular highlighting the artists of colour who are making their mark on the music industry around the world.

From viral Hip-Hop sensation Dreya Mac to Birmingham’s very own Felix & James Indigo, we want to celebrate artists from across the UK that you should discover today.

DREYA MAC

Must listen: Own Brand (Baddie)

West London Native, Dreya Mac, has garnered support from tastemakers including Annie Mac, Toddla T, DJ Target, Sian Anderson and Rickie and Melvin and Charlie.

Dreya is an alumni of the world-famous Brit school where she studied musical theatre and dance from the age of 14. Since then her professional dancing background has taken her all over the world to countries as far reaching as the USA and China. She can be seen demonstrating her talents in videos and shows for prominent artists such as Stormzy, Dua Lipa and Rita Ora. She has also performed at the MTV EMAs and Brit Awards and featured in the Burberry 2020 Festive Campaign.

JAMES INDIGO

Must listen: Money (feat Black Peppa)

James Indigo is a UK artist, who uses his experiences of growing up as an LGBTQ+ person of colour, to create an esoteric sound that is very much true to himself. He mixes his Jamaican / British background with his queer perspective on pop culture, to create a fusion of sounds.

Musically, he melds rap lyrics, with icy electro and pounding trap beats, and dancehall inflections, along with his unique energy. James's discography thus far has had a phenomenal response. He has been featured in Billboard, HuffPost, PRS, Hunger Magazine, Pink News, Attitude, GayTimes, Them, Kaltbult Magazine, Bricks, Grindr, Snapchat, and The BBC.

RINA SAWAYAMA

Must listen: Holy (‘Til You Let Me Go)

Rina Sawayama gained critical acclaim following the release of her debut studio album Sawayama.

Rina was included in Vogue Japan's "Women of the Year 2019" winners and was awarded the Breakthrough Award by the Attitude Awards. In late July 2020, Sawayama expressed her discontent after being informed that she could not be eligible to be nominated for major British music awards, such as the Brit Awards and Mercury Prize, due to the fact that she does not hold British citizenship. Her movement gained major support from Elton John. The BPI later changed the rules to allow anyone who had remained in the UK, including her, to be eligible.

FELIX

Must listen: Dirty Habits

British Singer-songwriter Felix incorporates elements of contemporary RnB and trap production into alternative-minded pop songs.

His 2019 release, 'Gold' followed by 'Friends' gained the attention of BBC Introducing and various other lines of the press. With a new project in the works, Felix's energetic songs and grounded attitude will see him seduce a wider audience around the World.

BREE RUNWAY

Must listen: HOT HOT

Bree Runway has expressed her sound as "genre-bending" as well as "genre fluid" with her material experimenting with a multitude of genres including; pop, trap, dance, R&B, rock, hyperpop and country. Despite being signed to a major label, Runway revealed that she is entirely in charge of her creative process. Runway explains that she tries to study genres that she doesn't listen to on a daily basis quoting that there is "inspiration everywhere". When discussing Runway's sound, she emphasizes her disapproval with genre labelling.

She cites Lil' Kim, Britney Spears, Madonna, Missy Elliott, Pharrell, Kelis, Lady Gaga and The Neptunes as her biggest influences.

seeva

Must listen: young

Seeva is an Electro-Pop artist based in London. He began writing at the age of 13 and by the age of 15 he was playing live with continued support from established British producers behind the likes of Dua Lipa, Tom Walker and Mabel.

Having built foundations for a career as a writer and producer with credits including the Tate Modern and Footlocker, Seeva transitioned into an artist in his own right by releasing his debut single, Heartstop., in collaboration with Brighton songstress la lune followed by his widely acclaimed, self-produced debut album We Need To Talk’, released in September 2020. With tracks such as ‘Young’, ‘Princess’ and ‘Clouds, he has been showcased on the likes of Beats 1, BBC Radio 2 & 6 and Flex FM amongst others. With editorial playlist support from Spotify, Deezer and Amazon, he has only continued the undeniable hype surrounding his self-managed, self-produced 2020 debut project.

MNEK

Must listen: Honeymoon phaze

MNEK is a British-Nigerian singer, songwriter, and producer who has worked with a wide spectrum of pop, dance, and R&B artists, in addition to achieving chart success on his own. First making a major impact on the British pop charts by co-writing early-2010s hits by the Saturdays and Duke Dumont, his strong, soulful vocals were featured on "Ready for Your Love," a 2014 Top Five single by London-based house duo Gorgon City.

He went on to work with Kylie Minogue, Beyoncé, and Madonna, and his 2015 collaboration with Zara Larsson, "Never Forget You," became a worldwide smash. His other longstanding collaborators have included Rudimental, Becky Hill, Shift K3Y, and Little Mix, among many others. MNEK was awarded an ASCAP Vanguard Award in 2016. He was featured on Stormzy's 2017 Top 10 hit "Blinded by Your Grace, Pt. 2," and his debut album, Language, was released in 2018.

TIA KOFI

Must listen: I WANT IT ALL

Tia is a talented singer and songwriter who found a new audience of adoring fans appearing on the second season of RuPaul’s Drag Race UK. One of the major breakout stars of the season, Tia was a firm fan favourite from the start. 
 Tia has already released several acclaimed singles, four of which have hit Top 10 on the Official Commercial Pop Chart.

Her debut ‘Outside In’, written by Little Boots and Tom Aspaul, was  premiered on Radio 2’s Zoe Ball breakfast show. Her debut EP ‘Part 1: The Damage’ hit No.1 on iTunes, whilst the second ‘Part 2: The Antidote’ features collabs with Little Boots, Mista Strange and MRSHLL. 
 Tia hosts a weekly Friday evening radio show for Virgin Radio Pride and was again the presenter of digital content for the BBC’s Eurovision Song Contest this year. This Summer Tia will perform her music on the main stage of Mighty Hoopla, Pride In London, Brighton Pride, Manchester Pride and Birmingham Pride.

Have a listen to our curated Pride Party playlist below

Historic Moments of Gospel Music

Gospel music is a traditional genre of Christian music. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context.

Gospel music has had a significant impact on certain areas of music around the world, particularly in America where we have seen an influx of Gospel music and artists. What would come to mind if we asked you for some of the biggest Gospel music moments? Here are some of ours.

Thomas A. Dorsey’s impact on Gospel Music

Thomas A. Dorsey was an American musician and composer that played a heavy role in early blues and gospel music in the 20th century. He is one of the most influential players when it comes to making Gospel music more widespread in the 1930s. He is known as being the ‘Father of Gospel’ due to his work and dedication towards building the sound of Gospel music and blues.

Martin Luther King Jr. being influenced by Gospel Music

Mahalia Jackson, otherwise known as the Queen of Gospel was a friend of Martin Luther King Jr. and helped him through some dark times with gospel music. She spent time alongside him for massive demonstrations and supported him throughout, so it's no surprise that she had a big impact on one of the most influential moments in civil rights.

Mahalia decided mid speech that his speech needed to go in a particular direction, and by recollecting a theme she had heard before. She shouted “Tell them about the dream, Martin” from behind the podium, which led to Dr King leaving his notes behind and began his famous “I have a dream” speech.

Gospel Choir performing at the the Royal Wedding of Harry and Meghan

The Kingdom Choir made their mark on British history and Gospel history by being the first Gospel Choir to perform at the Royal Wedding. The choir performed a rendition of Ben E. King’s song “Stand By Me”, which led to a massive impact for the choir, including being signed by Sony Music and millions of streams worldwide.

Lauryn Hill performs ‘Joyful, Joyful’ in Sister Act 2

Hollywood has been known to not champion music from people of colour, but they were not able to deny the beauty of Gospel music in this movie. Lauryn Hill performing ‘Joyful, Joyful’ in the Sister Act 2 movie was a big moment for Gospel music and musicians of colour. 

As well as Lauryn Hill’s undeniable vocal ability and talent, the song brought in a new audience for Gospel music and was a monumental moment in history.

Stormzy performs ‘Blinded By Your Grace Pt 2’ at Glastonbury

Grime artist Stormzy performs ‘Blinded By Your Grace Pt 2’ at Glastonbury, with Gospel music being performed for over 100,000 people at one of the biggest festivals in the UK. His performance began with ‘we’re going to take this to church, and we’re going to give God all the glory right now’. 

We would like to invite you to our upcoming UK Gospel & R&B tour, ‘LIFTED’ featuring Annatoria, Asha Elia and Still Shady.

• LONDON, BRIXTON JAMM: MAY 16TH

• BRISTOL, LOCO KLUB: MAY 18TH

• MANCHESTER, CANVAS: MAY 19TH

• BIRMINGHAM, MAMA ROUX: MAY 21ST

Raf Saperra: A Potential Cultural Phenom?

Raf Saperra breathes new life into his Punjabi folk, early 2000s Bhangra and Hip Hop influences on his new mixtape 'Ruff Around the Edges'. It is an audacious and compelling body of work, which has the power to become a British Asian cult classic. 

I came across Raf Saperra at the back-end of 2020, when he released the self-directed music video for ‘G’lassy Riddim’. It was produced by Birmingham born and bred producer, G-Funk, who was one of my close friends at primary school. I’ve since fallen out of touch with him. I only really clicked on the video out of the intrigue, resulting from this loose connection and looking back it has proved to be one of my better decisions; I have been an avid Raf and G-Funk fan ever since.

I love my parents and am immensely grateful for all they’ve done for me over the years. Despite this I have at times struggled with being raised without much real exposure to Asian culture. I don’t know too much about my roots, I lack knowledge of the traditions and can’t speak the language - bar the swear words and insults, which are really fun to say. This has often led to the conundrum of essentially being ‘too brown for the white kids, but too white for the brown kids’. 

Luckily I feel I’ve done a pretty good job of getting on with people and generally getting by. I haven’t really felt the need to change parts of my personality or even frantically revise Jazzy B lyrics the night before I’d go to a family function or wedding. However, when I first heard Raf Saperra I was hooked and I felt like I wanted to get involved with more Punjabi culture and learn the language and more about where I came from. These feelings have been compounded by his following releases and debut mixtape last week.

“His mixtape ‘Ruff Around the Edges’ is an ambitious project that showcases his versatility and dynamism as an artist.”

Saperra proves he is as comfortable lending his booming and engaging vocal range to hip hop inspired beats, see ‘Modern Mirza’ and ‘Saperra (Gang Jatt  Di)’, as more traditional stripped back qawwali and boliyan numbers, see ‘Table Top Boliyan’ and ‘Mast Qalandar’. Saperra is a real student of Punjabi music and has essentially built a bridge from the era of folk singers such as Kuldeep Manak and Shaukat Ali Khan into the modern day. As a Hip Hop head, following Raf has allowed me to learn about this evolution in an accessible and entertaining format. 

The accessibility of Raf’s material underlines his rare ability as a Punjabi artist to make music that pervades the boundaries of ethnicity. For example the track ‘Nach Le Soniye’, produced by The Culprit, is inspired by UK garage and has found its way being played on stages at the likes Glastonbury and Berghain via DJ Yung Singh. Singh is another artist at the forefront of the movement pushing British Punjabi culture into the mainstream. I’ve been fortunate enough to see him live, where he was extremely well received by diverse crowds. His success has been magnified by his recent Radio 1 residency, where he has showcased many of his musical influences from liquid jungle and house to traditional and contemporary Punjabi sounds. 

Since coming into contact with this rapidly evolving British Punjabi scene, I have been motivated to learn more about my personal and family connections to Punjabi culture. For example, I've since found out that Amarjit Sidhu, someone I’ve played a casual game of 5-a-side with a couple of times, was a member of the legendary group Apna Sangeet. I listened through their back catalogue and quizzed my Dad about them. He didn’t exactly count himself as a huge fan, he too has had his challenges with embracing the Punjabi culture and language.

“However, he recalled having the Soho road legend Sardara Gill train with his old football team Mahal Warriors a few times, Gill also recorded their club anthem to the Match of the Day theme tune.

Given his aforementioned struggles with getting to grips with the language, during training my Dad confused Sardara’s name with the stage name of his group. Following him around the pitch shouting ‘Apna’ at him, wondering why he wasn’t receiving the ball back.”

Whatever it is, the way you tell your story online can make all the difference.

After becoming enamored with the new wave of cultural figures such as Raf and Yung Singh (and hopefully to reduce the likelihood of situations like the one above occurring to me), I am currently embarking on a journey to learn the Punjabi language and more about my roots. Raf’s music has had a massive impact on me and I’m looking forward to seeing how he evolves as an artist and person. He slickly combines genres, aspects from different cultures and elements from different eras into a unique sound with a huge personality. His mixtape is a rich tapestry of his influences and visions for his future sound. He has the potential to become the figurehead for a new generation of British Asian kids in the mainstream cultural spheres.

Written by Rohan Ram
Listen to ‘Ruff Around the Edges’ on Spotify

6 Music Artists You Must Know In 2023

We have selected 6 artists with so much potential that we believe they are the 'Ones To Watch' for 2023.

From South London's Raf Saperra to Birmingham's Bobblehead Huncho, we are excited to introduce to you artists that we believe will thrive this year. 

Morgan
Munroe

Current monthly listeners: 41,219

First up we have none other than East Midlands rising R&B star Morgan Munroe. R&B Songstress Morgan Munroe is inspired by the likes of Frank Ocean, James Blake, Solange and Jazmine Sullivan; and is ready to cement her place within the thriving UK R&B landscape and beyond. 

Morgan went on her first UK-Wide tour this year, performing in five different cities and creating brand new fans across the UK. We think she will be the next female to blow up in UK R&B. With songs such as ‘Mutual’ and ‘Space’, she explores themes of heartbreak, love and betrayal, topics that relate to many women across the world.

Raf
Saperra

Current monthly listeners: 116,600 

South London born Raf Saperra is a big one to watch out for this year. He is bringing about a new sound for UK South Asian artists, and whilst he is sticking to his traditional Punjabi roots, he seamlessly blends it with old school Hip Hop and Garage sounds.

With his song N.L.S being named number 22 in i-D Magazine’s top 100 songs of the year, alongside the likes of Kendrick Lamar and Drake, we see him becoming a global hit and a force for Punjabi music. Our personal favourite however has to be none other than his latest single ‘Modern Mirza’. Raf Saperra is definitely a name to remember in 2023. 

ShaSimone

Current monthly listeners: 22,729

Also hailing from London we have ShaSimone.  British-Ghanaian rapper and songwriter, ShaSimone is recognisable by her versatile coffee-soaked vocals and skillful wordplay. 

She has collaborated with the likes of Dave and James Blake, and has been championed by many UK rap legends. She started off by posting freestyles online, and being known for her impeccable flow and lyrics so you know her pen game is unmatched. 

BobbleHead Huncho

Current monthly listeners: 89 listeners

Representing Birmingham with his Jamaican roots we have Bobble Head Huncho. Bobble effortlessly fuses dancehall vibes, culture and language into his music with ease & authenticity. 

With an incredible work rate and a unique voice, Bobble has a penchant to craft catchy melodies with thought-provoking, insightful, street-themed raps full of energy. Bobble Head Huncho is one of the most exciting artists to emerge from the UK in a very long time.

Infamousizak

Current monthly listeners: 32,625

In 2022 Infamousizak and Frisco released the ‘Bad and Clean Remix’ which featured some legends, including Skepta and Skillibeng. The London born rapper produces, writes and sings all of his own material. Taking inspiration from the traditional sounds of Grime and UK Rap, he also brings in Hip-hop influences, and has created his own sound within an ever-evolving industry.

In 2023 people around the UK will definitely know who Infamousizak is, and he will carve his own lane in the music scene. 

SOLAH

Current monthly listeners: 151,827

Solah has begun making a name for herself, with her colossal voice & sounds thriving within the drum and bass scene. She became the first female vocalist to sign to Hospital Records, and we know that this is just the beginning for her. 

Her signature jazz-tinged soul style has been used across a wide range of bass styles, a few with collaborators, such as GLXY and Pola & Bryson. Solah is about to be at the forefront of drum and bass, so next time you’re in the club, expect to hear a Solah track. 

Punch's 2022 Rewind: Highlights of the year

Now that 2022 is beginning to draw to a close (and following last week’s article “A Celebration of 2022: Punch’s Rewind of the Year Starts Now”), we’re taking this time as an opportunity to reflect on the projects that have taken place over this past year.

There is so much to celebrate, so this was by no means an easy task, but we have individually highlighted projects that have filled us with pride throughout 2022.

Nikki Riggon, Head of Programme

“We’ve been a driver for positive change and a catalyst for hard discussion surrounding race through our involvement in Birmingham Race Impact Group (BRIG)”

There's so much for us to be proud of this year, our programme has been so broad. We’ve been able to launch art commissions that have been in the making since 2020 through Gallery37, including Wander Water which can now be seen on display at The Roundhouse.

We’ve been a driver for positive change and a catalyst for hard discussion surrounding race through our involvement in Birmingham Race Impact Group (BRIG). We’ve all had the opportunity to step outside our comfort zones *flashback to me hosting Write The Future for Meta and WMMB* and we’ve grown much closer as a team *insert terrible photo of team hungover at away day*. We were on the road for the first time post-COVID with the Morgan Munroe, Elvira tour and we have worked with many exciting new artists.

Reflecting on 2022 I’m really proud of the team but I'm SO excited for 2023!

Sannah Sajid, Digital Marketing Assistant

“I loved being a part of the Elvira Tour as it gave me an insight into the world of touring, how the industry works and what life on the road is really like.”

Live music and touring has always been something that I’ve loved and wanted to be a part of, so when we announced that we were going to be taking Morgan Munroe on a UK-Wide tour, I couldn’t wait to get on the road. 

We took R&B artist Morgan Munroe on her first tour following the release of her EP ‘Elvira’, and it was everything I expected it to be and more. The first stop was in Glasgow and ended in Leicester, which is Morgan’s hometown. 

I loved being a part of this tour as it gave me an insight into the world of touring, how the industry works and what life on the road is really like.

Brad Morrison, Head of Marketing & Communications

“I had the privilege of producing my first immersive visual art exhibition Reworlding, which explored wellbeing, environmentalism and utopia.”

During the 2020 pandemic when exhibitions & galleries had to pause, I turned to the streets of Digbeth, and the walls that I used to pass aimlessly became an exciting adventure of visual art; every day I would discover new art pieces. I began to find a love for street art & new ways of showcasing exhibitions.

Two years later, I had the privilege of producing my first immersive visual art exhibition Reworlding, one of Gallery37’s 2022 commissions, which explored wellbeing, environmentalism, and utopia.

After months of planning & preparation, Centrala became home for a week, artists Hayley Salter & Jacob Carter became an unshakeable team, and together we crafted a beautiful multi-sensory space brimming with purposeful art including; an atmospheric soundscape recorded in green spaces around Birmingham, hanging portraits showcasing the city’s local heroes & their connection to nature and recycled carpet that was displayed to reflect the terrazzo-style sculptures which filled the walls of the exhibition. The responses from attendee’s were overwhelmingly positive - it was when I was told that the exhibition helped with an individual’s wellbeing & mental health that I filled up with emotion & pride.

Fahmida Choudhury, Insight Producer

“It has been great to have the opportunity to contribute to the Birmingham 2022 Commonwealth Games evaluation.”

Coming up to almost a full year at Punch Records, it has been great to have the opportunity to contribute to the Birmingham 2022 Commonwealth Games evaluation. 

This experience not only enabled me to partake in a globally recognised event, but over the course of the Festival I learned so much about Birmingham’s creative and cultural sector from the very practitioners themselves.  I was fortunate to be under the supervision of Simon Redgrave and Amanda Roberts guiding me through the processes involved in carrying out the evaluation research and will take the skills I’ve developed and apply them to our next research project.

CAS, Creative Producer

“I was touched by the number of attendees and feedback received, as I believe it’s important to produce various events that reflect us individually and society.”

Being a Christian has always been, and continues to be an important aspect of my life. It was an honour to be given the opportunity to produce the A Love Letter To The Gospel: Past, Present & Future event.

A Love Letter To The Gospel: Past, Present & Future is a feature-length documentary, directed by Storyteller and Musician, Rhea Marcia. The documentary explores the Gospel music journey and premiered at Holy Trinity Parish Church, Birchfield on 1st October 2022, with a live performance from Rhea and a full band, Q&A panel with Gospel artists, and community pillar Reverend Eve Pitts as the host. 

I was touched by the number of attendees and feedback received, as I believe it’s important to produce various events that reflect us individually and society.

Another highlight for me was being Tour Manager for Morgan Munroe. Both were a great way to represent Black History Month 2022!

Jay L’Booth, Creative Producer

“The use of a white cove really gave the visuals an immersive feel and allowed the artists to move around in their own worlds.”

This year at Punch, my highlight has to be Multiverse. The fact that this was so unique and had never been done before excited me. It was a challenge I wanted to experience and I feel it came together beautifully. Immersive experiences are the new wave of technology and i’m glad we got to implement that with Multiverse. 

I feel the lineup of artists we had really represented the up and coming scene in Birmingham right now. With ones to watch like Indigo Marshall and Creezon but there was also an insight into collectives such as >THEM. Each artist had their own scene created by Multidisciplinary artist DEMARAE and the scenes complemented the music magically. The use of a white cove really gave the visuals an immersive feel and allowed the artists to move around in their own worlds. 

What’s more, is the interactive aspect of this event, and how the audience could use a PS5 controller to explore the digital worlds further. Not forgetting the live art element of the space, where incredible digital paintings were created by Dayle Demaret-Smith and Rere Demarae.

I think we should continue to run events such as Multiverse - working with different artists each time. I also think it’s important for us to continue this immersive element within our future shows and projects.

kimberleigh logan, Creative Producer

“I’ll keep it real, my first-ever cypher went crazy! BAR4BAR.. Are you mad? There’s no better feeling than putting together an event that everyone is literally screaming for. The sounds, the bars, the crowd- immaculate. The music scene in Birmingham is so underrated and to be in the midst of some of the best talent coming through our streets right now was wild.”

Whatever it is, the way you tell your story online can make all the difference.

When we were approached for the second time by Birmingham Hippodrome to produce the launch of B-SIDE Hip Hop Festival, I knew I had to step up and put on something that was going to represent what’s really going on in Birmingham right now and open up the celebrations properly! I teamed up with Reuben (Fyah Kamp), and DJ Biggoss to help stitch together one of the littest lineups ever! 

From the open mic to the producer showcase, every artist involved lit up the stage in Suki10C like it was their biggest show. Wheel ups after wheel ups; the bars had our heads spinning! People were just pulling up to drop a few bars, packing out the place with good vibes - nobody wanted it to end. It was what we needed, and everyone who came will agree.  

I think for me, seeing that type of response was the moment I knew we smashed it. It’s important to provide spaces for artists to share their art with each other to create a more connected music industry because it’s clear that we have a very competitive nature, and whilst that’s somewhat necessary for this industry, we should stand on each other’s shoulders to grow and expand bigger than what we know our city to be. My only hope is that we continue to do so! 

Big shouts to the artists, producers, and music enthusiasts for coming through; not to mention Suki10C, Birmingham Hippodrome, Biggoss, and Reuben for making BAR4BAR my highlight of the year! 

Watch our Rewind video of the year on Youtube

A Celebration of 2022: Punch’s Rewind of the Year Starts Now

Punch turned 20 this year, and we’ve been celebrating all-year round with one of our most exciting line-ups of events, masterclasses, and projects to date.

We started the year with the launch of LEGACY, a documentary that explored the stories of Hip-Hop, Rap & Grime artists who have been responsible for creating a historic music scene. The documentary featured pioneers of the game, from Lady Leshurr all the way to Devilman. This feature-length documentary championed grime artists big & small from Birmingham, and explored the stories behind their craft. 

Lady Leshurr featured in LEGACY documentary (2022)

We hosted two back-to-back sold-out film screenings at Everyman Cinema for the exclusive first look at LEGACY, which was met with rapturous applause, and national interest in expanding on the documentary.

Further into the year, we commissioned GALLERY37 alumni to create new artistic work, which took over Central & North Birmingham.

Gallery37 Commissioned Artists with Head of Programme, Nikki Riggon (2022)

The programme started with multi-sensory immersive exhibition Reworlding which explored environmentalism & wellbeing; and continued with projects including Gospel documentary A Love Letter to the Gospel: Past, Present & Future, interactive visual & live music event Multiverse, debut EP & music video project TALES, female-centric short film DOSED & illustration campaign celebrating local heroes of North Birmingham On The Map.

No one event has been like another this year.

Following a series of successful music events throughout the year, we embarked on our first tour of 2022 in October. The Elvira Tour, headlined by R&B artist Morgan Munroe supported the release of her latest EP.

Morgan Munroe on the Elvira Tour (2022)

A special project has been filmed with Morgan Munroe which will be released in 2023, showcasing the rise of the future R&B star.

But before we get to 2023, we are giving you the full Punch Rewind of 2022.

Connect with us on Instagram, Twitter, Newsletter, Youtube, LinkedIn & TikTok to see the full Rewind featuring videos, quizzes, TikToks, exclusive news and more.

Overcoming the Instagram Algorithm: Claiming your Creative Space in the Online Metaverse

The social media revolution has completely transformed the music industry, creating a new environment defined by accessibility and speed - artists are only ever one post away from fame. So why do we often feel so out of control of our own content and careers?

Faced by alien algorithms and tough competition, our posts can easily get lost in endless Instagram and Facebook feeds. How do we create unique and wide-reaching content that captures attention, whilst remaining authentic?

Write The Future, hosted by PUNCH in collaboration with the WEST MIDLANDS MUSIC BOARD and META, equipped both aspiring and established artists with tools to navigate online spaces, including R&B stalwart PHELEBA, who ended the conference with a live performance. So what did we learn?

Here are our top three takeaways to overcome the algorithm:

1. Create Your Authentic Space

‘People buy from people. Know your essence’. Vanessa Bakewell, Meta

With everyone’s feeds flooded with infinite filtered versions of “reality”, can we risk posting content that truthfully represents our real and flawed selves? VANESSA BAKEWELL from Meta dismantled misconceptions that artists have to project a perfect image, instead emphasising the importance of establishing an individual and genuine brand - in sharing the highs and lows of their creative journeys, artists become personal and more accessible.

MALIK - musician and co-producer LEGACY -  spoke on the importance of creating and controlling our own narratives. On making LEGACY, the history of Birmingham’s vibrant grime and hip-hop scene, Malik said: 

‘It was our way of telling the story of Birmingham MC culture, keeping it fair and authentic’. - Malik

Malik also spoke on the role of social media as the record of your personal journey as an artist, providing a point of reference for others when social inequalities mean that minority communities’ narratives are unfairly represented in the media. 

“We can use social media to create something greater than individual fame and success, but a communal record of Birmingham’s vibrant music scene.” -Ammo Talwar Punch CEO

2. The Power of Experimentation

“Use social media, utilise it & create short-form video.” Sade Omojowo, Meta

From Birmingham, SADE OMOJOWO recently helped Meta launch the Black Perspective’s Initiative, striving to support the next generation of creators from underprivileged backgrounds. Sade's main piece of advice was to keep varying and experimenting with content as well as directly communicating with your followers to learn what they want to see. This can be done using tools such as question stickers and polls. You can monitor engagement by utilising your account analytics. All of the expert speakers agreed that the most impactful form of content was short videos like Instagram reels. 

“Use social media, utilise it & create short-form video.” Sade Omojowo, Meta

To create a ‘thumb-stopping’ video, it's important to establish your brand - your name, face and main content - in the first 3 seconds of the video. Although Sade encouraged creators to be consistent with posting, she stressed the idea of quality over quantity. Above everything else, all expert speakers encouraged artists to remain authentic and accessible to their followers.

“Everyone can hope to go viral if you hop on a trend but you need to give someone a reason to follow you. Be authentically you”. - Natalie Kelly, Meta

3. Brum Left Behind?

During the Q&A sessions, many audience members shared frustrations about the lack of permanent Birmingham based infrastructure and the ‘recycled conversations’ that prevent meaningful change. Even the expert speakers acknowledged that ‘talent can only go so far’ and without any Birmingham based media outlets, artists will struggle to sustain any attention that they get online. The most common solution voiced was to strive for better communication and collaboration between Birmingham creatives. 

“Collaborate - Collaboration is huge. If people see that you’ve collaborated, your reach will snowball.” Sade, Meta

“The thing that Birmingham could do better is communication. Artists can only do so much, they need to connect with companies like Meta, Spotify, Punch Records etc – and likewise, companies should be connecting with the artists”. - Malik 

Write The Future felt like a positive step toward progressive collaboration, bringing like-minded people together, providing networking opportunities and demonstrating that influential companies like Meta are finally taking a meaningful interest in local talent here in Birmingham. 

Open Letter Calling on PRS For Music to Halt Their Planned Cutbacks to PRS Foundation’s Donation #HaltCutsToPRSF

THE FUTURE HEALTH OF THE UK MUSIC INDUSTRY — AND OUR EXISTING HARD-WON IMPROVEMENTS IN REPRESENTATION FOR WOMEN AND MINORITIES — ARE UNDER THREAT FROM A DRASTIC AND POTENTIALLY DEVASTATING 60% CUT  IN GRASSROOTS FUNDING FOR PRS FOUNDATION, VOTED FOR BY THE PRS MEMBERS COUNCIL AND ANNOUNCED BY CEO ANDREA C. MARTIN.

We respect the commitment displayed by PRS for Music through its 22 years of investment in emerging UK talent from the grassroots up. As the principal patron of the PRS Foundation, PRS for Music has contributed significantly towards making the UK music industry more accessible, more equitable, more creative and more profitable. 

However, both PRS for Music’s track record and the music industry itself will be damaged for the foreseeable future if its unprecedented cutback of PRS Foundation funding is enacted.  

We stand together to urge PRS for music to halt its proposed cuts to PRS Foundation and reverse a decision that could set the fragile post-Covid music economy back by decades.

The Foundation is the UK's leading charitable funder of new music and talent development. In 2021, the Foundation backed nearly 500 new music initiatives, enriching the prospects of thousands of emerging music creators. Each year, Foundation alumni are in evidence at awards ceremony nomination lists - BRITS, MOBO, Mercury Prize, Grammys, AIM, Jazz FM and Ivors - and in the charts - Sam Fender, Dave, Yard Act, AJ Tracey, Glass Animals and Little Simz.¹

With 60% less investment, there will be 60% fewer successes.  We do not believe a drastic rollback to 2000-levels of investment is fair, reasonable or even justifiable.  

In April 2022 PRS CEO Andrea C Martin declared in Music Week;  

"The popularity of PRS members’ music throughout 2021 drove a significant increase in revenues from Spotify, YouTube, and Apple Music ... up 42.5% since 2020, and 45.5% since 2019."²

In Martin’s address to PRS members at their May 2022 AGM, she added: 

"In a year punctuated by continued uncertainty we achieved revenue growth of over twenty-two percent, returning to near 2019 levels .. I am pleased to say we had a very good year in 2021."³

In reference to the same PRS statement, it was stated; "[related] income has declined significantly over recent years, not least because of historically low-interest rates"⁴

This is in contrast to the UK interest rates however, which at the time of writing are at their highest level in 13 years.⁵

The importance of Foundation-supported programmes such as KEYCHANGE and POWER UP cannot be overstated. They drive much-needed diversity of place and people in the UK music industry, responding to grassroots groundswells as well as Government initiatives such as  “Levelling Up”. 

In terms of impact, 60% of the Foundation’s music creator and 67% of organisation grantees are based outside London; 63% of creator grantees are women, mixed gender groups and gender minorities; nearly half are from ethnic minorities; 15% identify as Disabled; and over a quarter identify as LGBTQIA+.⁶

As signatories to this letter, we applaud the adoption of a "growth mindset"⁷ by the PRS and in doing so urge you to value the needs of the sector and look at alternative means of increasing income other than clipping the wings and pulling the rug from under its much loved and much relied on PRS Foundation.

Our work together with PRS Foundation in developing talented PRS members and future members helps to generate the creative assets of the music industry, contributes to PRS Revenue, the UK economy and to the international cultural landscape.

As Andrea C Martin said in her AGM address; “we must be brilliant at the basics". For this to happen, full funding for the Foundation’s work is vital.

Otherwise, as Jess Partridge stated in The Guardian, “the number of people who can afford to make music is going to be dramatically reduced, (we will not have) an industry in which people from different backgrounds are empowered to participate."

#HaltCutsToPRSF THIS OPEN LETTER IS SIGNED BY:

Charisse Beaumont - Black Lives in Music (London)	Baby J - Baby People (Derby)
Michael Bonner - Moving on Music (Belfast)	Deborah Keyser - Music Centre Wales (Wales)
Nick Brealey - Britten Sinfonia (Cambridge)	Keranjeet Kaur - South Asian Arts (Leeds)
Dr Greg Caffrey - Hard Rain Ensemble (Belfast)	Mark Kass - The Jazz Centre (London)
Annabella Coldrick - Music Managers Forum (UK)	Pasco Kevlin - Norwich Arts Centre (Norwich)
Graham Davis - IVORS Academy (UK)	Debra King - Brighter Sounds (Manchester)
Hamish Dunbar - OTO projects (London)	Michael Lambert - Wide CIC (Edinburgh)
Susana Eastburn - Sound & Music (London)	David Martin - Featured Artists Coalition (UK)
Polly Eldridge - Sound UK (Bristol)	Steve Mead - Jazz Festival (Manchester)
Lizzy Ellis - Saffron (Bristol)	Carien Meijer - Drake Music (London)
Tony Ereira - Come Play With Me (Leeds)	Pamela McCormick - UD Music (London)
Richard Foote - b Music (Birmingham)	Graham McKenzie - HCMF (Huddersfield)
Natalia Franklin - Non Classical (London)	Claire Moran - Cryptic (Glasgow)
Amy Frenchum - Future Bubblers/Brownswood Records (London)	Dean Ricketts & Paulette Long - Action for Diversity & Development (London)
David Gaydon - Cheltenham Festivals	Paul Pacifico - Association of Independent Music (UK)
Chloe Gebhardt - LIMF Academy (Liverpool)	Crispin Parry - British Underground (London)
Dominic Gray - Opera North (Leeds)	Owen Parry - Bristol Beacon (Bristol)
Yvette Griffith - Jazz re:freshed (London)	Malaki Patterson - The Music Works (Gloucester)
Matt Griffiths - Youth Music (UK)	Abigail Pogson - Sage Gateshead (Gateshead)
Spike Griffiths - Forte Project (Wales)	Fiona Robinson - Sound (North East Scotland)
John Harris - Red Note Ensemble (Scotland)	Mick Ross - Generator (Newcastle)
Charlene Hegarty - Oh Yeah Ireland (Ireland)	Sheryl Nwosu - Black Music Coalition
Janine Irons - Tomorrow's Warriors (London)	Jo Ross - Oxford Contemporary Music (Oxford)
Andy Jones - Focus Wales (Wales)	Thursa Sanderson - Drake Music Scotland
Ope Igbinyemi - Serious (London)	Adam Szabo - Manchester Collective (Manchester)
Ammo Talwar - Punch Records (Birmingham)	JJ Tatten - The Warren (Hull)
Matt Taylor - Music Producers Guild (UK)	Cleveland Watkiss - Freedom: Art of Improvisation (London)
Mark Williams - HeartnSoul (London)	Kate Wilson - Britten Pears Arts (Suffolk)
Adam Joolia - AudioActive (Brighton)	Orphy Robinson & Ros Rigby - Jazz Promotion Network (London)

1. PRS Foundation responds to recent donation reduction announcement

2. PRS CEO Andrea C Martin on the collection society's booming online revenues MUSIC WEEK April 2022

3. PRS CEO Andrea C Martin; speech to PRS AGM May 2022

4. Statement on PRS for Music donations to PRS Foundation 26 May 2022

5. Interest rates: Bank of England reveals hike to highest level in 13 years INDEPENDENT MAY 2022

6. PRS Foundation responds to recent donation reduction announcement

7. PRS CEO Andrea C Martin; speech to PRS AGM May 2022

Speakers announced for The P Word Conference 2021, including Main Speaker, Jamelia

Creative entrepreneurs and artists have had to work harder than ever over the last year and into 2021 to adapt and survive during this pandemic period. On Thursday 25th February we are shining a spotlight on Midlands-based creative artists & entrepreneurs who have led the way for their respective creative communities.

“Perseverance in Perspective: The P Word Conference” will be led by guest speakers, creative entrepreneurs that we’ve supported over the last year with The P Word, and partners Punch & CREME. They will all be delivering honest conversations and thoughts about their enterprises/companies, the creative industries, advice for start-ups, the effect of the pandemic, and much more.

Meet our Guest Speakers and host below, and register for your tickets here.

Jamelia

As a singer-songwriter Jamelia has sold millions of albums and scored number one’s all over the world. Jamelia has won multiple awards including four MOBOs, a Q Award and an Ivor Novello.   

In broadcasting, Jamelia has appeared on programmes on every major UK TV channel as a host, panellist, presenter and guest. Jamelia’s modelling career has seen her grace the covers of Cosmopolitan, Elle and Time Out. She’s also fronted campaigns for Reebok, Pretty Polly and Toni & Guy.

Jamelia loves to act, and has had roles in both movies & tv shows.   As well as her chat show, The Table, Jamelia is currently working on album number four and a number of books.

CJ Lloyd Webley

CJ Lloyd Webley is a Writer and Theatre-maker from Birmingham. He majored in Theatre and Performance Studies at The University of Warwick, and recently completed a Master of Arts in Creative Writing (Screenwriting & Playwriting) at City University of London. His play, Shadows, received 4 & 5 star reviews and sold out its three-night run at Theatro Technis, Kings Cross in 2017. Since then, he has had new work performed at The Birmingham Rep, Soho Theatre and the Brockley Jack Studio Theatre.

CJ was part of the 2019-20 Tamasha Playwrights cohort in London where he was shortlisted for the Adopt a playwright Award and has since been selected for Criterion Theatre’s New Writing Programme in Piccadilly. CJ is one of the newly appointed Lead Artists for Lightpost Theatre Company at the Birmingham Rep, a scheme that seeks to improve the mental well-being of young black men.

CJ is also the Founder of The Black Pounds Project CIC and facilitates Creative Writing workshops as part of his organisation Sorrel Park Theatrical, and online sessions with Beatfreeks. He has since completed Regional Theatre’s Young Director Scheme and. the Common Purpose leadership programme.

Fusion

The self-professed ‘Creative Storyteller’ has presented shows for MTV and Sky, hosted events at Wembley Arena, interviewed the likes of Beyoncé, Dr Dre and Marvel-mastermind Stan Lee, and shared his story on the TED stage.

An experienced educator and creative producer, he is now a lead facilitator for YouTube, empowering thousands of young people to become better Internet Citizens, and helps award-winning CEOs discover their own stories of transformation.

The driving force behind creative currency initiative #IITSPIRATION and founder of BMT – an immersive live experience celebrating the ‘awesome everyday’ stories of black men - Alain takes on all challenges with irrepressible energy, curiosity and a desire to get to the heart of the matter.

Alexandria Chantiluke

Birmingham born fashion designer Alexandria Chantiluke was selected as a 2015 finalist in the Savile Row Training Academy: National Design and Tailoring Awards. She won the annual Hawes and Curtis shirt design competition and graduated in July 2016 with a BA Honours in Fashion Design from Nottingham Trent University. 

In 2017 Alexandria was named Radical Designer of the Year at an international design competition and in 2018 she was named one of Birmingham's top 30 under 30 for her work in fashion and the Birmingham community. In 2019 she delivered a motivational speech on the TEDxYouth stage and was also named one of the Future Faces of Birmingham on Gallery 37’s BASS2019 mural at Suki10c. 

Alexandria has worked in the fashion industry with bespoke tailors Timothy Everest and Richard James on Savile Row in London, but fashion design is just one part of her brand. She also writes and performs poetry and is an activist for mental health awareness, speaking openly about her own experiences with Generalised Anxiety Disorder. She is committed to supporting young people and volunteers her spare time to delivering school presentations and workshops.

Jay Williams

Hoodrich is more than just a clothing brand – it’s a lifestyle. The slogan “from nothing to something” is fully encompassed by Birmingham born founder Jay Williams’ own experiences. Hoodrich embodies the come up.

Jay’s passion for underground streetwear, musical influences and interest in clothing led him to start his own brand from his bedroom. In 2014 with a £200 start up, the first 30 tees were made. Hoodrich has grown from a one man venture to a national operation.

Hoodrich is in Footasylum and JD stores across the UK and the brand has been worn by UK and US rappers and influencers.

Hoodrich founder Jay aspires for the brand to be a global household name and is just getting started.